Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Ergebnisse 1-5 von 47
Seite 15
... soul of the villain must be sent to hell , but the soul of the avenger must go there as well . The Kydian revenge play always ends with either the murder or suicide of the avenger , and inci- dentally the deaths of all the other ...
... soul of the villain must be sent to hell , but the soul of the avenger must go there as well . The Kydian revenge play always ends with either the murder or suicide of the avenger , and inci- dentally the deaths of all the other ...
Seite 16
... soul as well as that of his victim.1 The primary interest of the Kydian revenge play is in action . It holds its audience by a crude sensationalism , by an artificially stimulated suspense , and by the shocking nature of the events it ...
... soul as well as that of his victim.1 The primary interest of the Kydian revenge play is in action . It holds its audience by a crude sensationalism , by an artificially stimulated suspense , and by the shocking nature of the events it ...
Seite 18
... soul , may have a renewed awareness of the perfection of God's order and of the operation of justice in the world . Marcus points out the path which Titus might have taken , and Lucius brings about a reconciliation when the forces both ...
... soul , may have a renewed awareness of the perfection of God's order and of the operation of justice in the world . Marcus points out the path which Titus might have taken , and Lucius brings about a reconciliation when the forces both ...
Seite 19
... souls of those who have died in battle . There is a stern . virtue in Titus ' respect for this decree , a reverence for a primitive type of justice . There is no rancour in his reply to Tamora : Patient yourself , madam , and pardon me ...
... souls of those who have died in battle . There is a stern . virtue in Titus ' respect for this decree , a reverence for a primitive type of justice . There is no rancour in his reply to Tamora : Patient yourself , madam , and pardon me ...
Seite 22
... soul . Such a conception called for a simple pattern of dramatic action . The entire play is centred about the rise and fall of a demonic hero who is introduced as totally evil . He need make no sinful moral choice through deception ...
... soul . Such a conception called for a simple pattern of dramatic action . The entire play is centred about the rise and fall of a demonic hero who is introduced as totally evil . He need make no sinful moral choice through deception ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York