Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite 5
... served in man's unceasing endeavour to embody in specific symbolic terms the philosophical abstractions by which he ... serve as a significant exam- ple . We cannot adequately understand Elizabethan tragedy unless we understand both the ...
... served in man's unceasing endeavour to embody in specific symbolic terms the philosophical abstractions by which he ... serve as a significant exam- ple . We cannot adequately understand Elizabethan tragedy unless we understand both the ...
Seite 10
... serve to affirm the feeling of moral order in a purposive universe upon which tragic reconciliation depends . In spite of the fate of the tragic hero , society at the end of each tragedy must undergo a symbolic rebirth ; there is always ...
... serve to affirm the feeling of moral order in a purposive universe upon which tragic reconciliation depends . In spite of the fate of the tragic hero , society at the end of each tragedy must undergo a symbolic rebirth ; there is always ...
Seite 15
... serve only to delay his revenge and heighten the suspense . He has formidable obstacles . He must con- vince himself of the villain's guilt , and he usually requires an in- ordinate amount of proof . The villain is wily and strong , and ...
... serve only to delay his revenge and heighten the suspense . He has formidable obstacles . He must con- vince himself of the villain's guilt , and he usually requires an in- ordinate amount of proof . The villain is wily and strong , and ...
Seite 17
... serve Lucius against their own queen . Shakespeare also makes of Marcus a virtual chorus to comment upon the action as the play unfolds . His most important innovation is in his conception of the prin- cipal characters and their ...
... serve Lucius against their own queen . Shakespeare also makes of Marcus a virtual chorus to comment upon the action as the play unfolds . His most important innovation is in his conception of the prin- cipal characters and their ...
Seite 32
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Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York