Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite 14
... revenge play . In this crude work Shakespeare already is concerned with the mean- ing of human destruction , as Kyd never was ; he is groping towards a dramatic formula which may express significant truth about the relation of mankind ...
... revenge play . In this crude work Shakespeare already is concerned with the mean- ing of human destruction , as Kyd never was ; he is groping towards a dramatic formula which may express significant truth about the relation of mankind ...
Seite 15
... revenge tragedy to the needs of a popular theatre . For at least a decade Kyd's influence dominated the Eng- lish stage , and under this influence Shakespeare's first tragedy was conceived . The action and interest of the Kydian revenge ...
... revenge tragedy to the needs of a popular theatre . For at least a decade Kyd's influence dominated the Eng- lish stage , and under this influence Shakespeare's first tragedy was conceived . The action and interest of the Kydian revenge ...
Seite 16
... revenge rather than in the justice of God - a common Elizabethan doctrine . And this moral doctrine is rarely stressed . The Kydian revenge play does not really explore the question of human suffering ; it is essentially melodrama and ...
... revenge rather than in the justice of God - a common Elizabethan doctrine . And this moral doctrine is rarely stressed . The Kydian revenge play does not really explore the question of human suffering ; it is essentially melodrama and ...
Seite 21
... revenge , and the rest of the play is concerned with its execution . This revenge is a rejection of the Christian way of redemption which called for a submission to the will of God in faith that God would protect man from evil , reward ...
... revenge , and the rest of the play is concerned with its execution . This revenge is a rejection of the Christian way of redemption which called for a submission to the will of God in faith that God would protect man from evil , reward ...
Seite 22
Irving Ribner. 1 the Kydian revenge play so that he might express some such rela- tion in a meaningful complex of events . Shakespeare was not yet a great dramatist when he wrote Titus Andronicus , but he had a greater awareness of the ...
Irving Ribner. 1 the Kydian revenge play so that he might express some such rela- tion in a meaningful complex of events . Shakespeare was not yet a great dramatist when he wrote Titus Andronicus , but he had a greater awareness of the ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York