Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite 2
... reality in his characters and have neglected their symbolic functions within the total play . If idea implicit in char- acter appears at times to be overstressed in the pages which follow , this is not to deny the illusion of reality ...
... reality in his characters and have neglected their symbolic functions within the total play . If idea implicit in char- acter appears at times to be overstressed in the pages which follow , this is not to deny the illusion of reality ...
Seite 4
... reality . A dramatic character is governed by the over - all design and purpose of the total play to which he contributes . Violations of physical and psychological reality may be the very means by which tragedy is rendered pro- found ...
... reality . A dramatic character is governed by the over - all design and purpose of the total play to which he contributes . Violations of physical and psychological reality may be the very means by which tragedy is rendered pro- found ...
Seite 8
... in his plays . His primary purpose is not accurate depiction of life , and realistic as his technique may be , both character and event are distorted from reality when the total thematic design of a tragedy demands 8 Introduction.
... in his plays . His primary purpose is not accurate depiction of life , and realistic as his technique may be , both character and event are distorted from reality when the total thematic design of a tragedy demands 8 Introduction.
Seite 9
Irving Ribner. reality when the total thematic design of a tragedy demands such distortion . Shakespearian tragedy translates a moral vision into dramatic form , and thus it is a way of knowing.1 That this way is different from that of ...
Irving Ribner. reality when the total thematic design of a tragedy demands such distortion . Shakespearian tragedy translates a moral vision into dramatic form , and thus it is a way of knowing.1 That this way is different from that of ...
Seite 18
... reality of evil , man's free moral choice in spite of it , and divine justice in a harmonious moral order . In Titus Andronicus the forces of good and evil are neatly ar- ranged against one another . Of all the evil characters , Aaron ...
... reality of evil , man's free moral choice in spite of it , and divine justice in a harmonious moral order . In Titus Andronicus the forces of good and evil are neatly ar- ranged against one another . Of all the evil characters , Aaron ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York