Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... play, and that what these characters do seems reasonable in terms of emotions which the audience can itself experience. In the art of such illusion Shakespeare was a master; it will not be my purpose to demonstrate what generations of ...
... play, and that what these characters do seems reasonable in terms of emotions which the audience can itself experience. In the art of such illusion Shakespeare was a master; it will not be my purpose to demonstrate what generations of ...
Seite 2
... play with an abstract idea . He began probably with a dramatic situation , but it was one he chose because he saw implicit in it an idea with which he was concerned . This situation he analysed and explored , com- bined it with other ...
... play with an abstract idea . He began probably with a dramatic situation , but it was one he chose because he saw implicit in it an idea with which he was concerned . This situation he analysed and explored , com- bined it with other ...
Seite 11
... play to play , as Shakespeare experiments with traditional forms , changes and augments them , probing always into varying aspects of the great questions with which he is concerned . With this principle in mind , we will have no need to ...
... play to play , as Shakespeare experiments with traditional forms , changes and augments them , probing always into varying aspects of the great questions with which he is concerned . With this principle in mind , we will have no need to ...
Seite 12
... play grows richer in moral and in- tellectual vision , the emphasis of the chapters will be upon Shake- speare's conscious ordering of character and action into a total dramatic unity designed to embody intellectual content in specific ...
... play grows richer in moral and in- tellectual vision , the emphasis of the chapters will be upon Shake- speare's conscious ordering of character and action into a total dramatic unity designed to embody intellectual content in specific ...
Seite 14
... play . In this crude work Shakespeare already is concerned with the mean- ing of human destruction , as Kyd never was ; he is groping towards a dramatic formula which may express significant truth about the relation of mankind to the ...
... play . In this crude work Shakespeare already is concerned with the mean- ing of human destruction , as Kyd never was ; he is groping towards a dramatic formula which may express significant truth about the relation of mankind to the ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York