Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite 15
... madness serve only to delay his revenge and heighten the suspense . He has formidable obstacles . He must con- vince himself of the villain's guilt , and he usually requires an in- ordinate amount of proof . The villain is wily and ...
... madness serve only to delay his revenge and heighten the suspense . He has formidable obstacles . He must con- vince himself of the villain's guilt , and he usually requires an in- ordinate amount of proof . The villain is wily and ...
Seite 21
... madness of Titus symbolizes the defect of reason which makes it impossible for him to see the Christian way out of his difficulties . Marcus counsels him , ' But yet let reason govern thy lament ' ( III.i.219 ) . Reason here would mean ...
... madness of Titus symbolizes the defect of reason which makes it impossible for him to see the Christian way out of his difficulties . Marcus counsels him , ' But yet let reason govern thy lament ' ( III.i.219 ) . Reason here would mean ...
Seite 84
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Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York