Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... learned to embody successive visions of human life in dramatic vehicles, each of which provides the emotional equivalent of an intellectual statement. This statement all of the elements of drama – action, character and poetry – are ...
... learned to embody successive visions of human life in dramatic vehicles, each of which provides the emotional equivalent of an intellectual statement. This statement all of the elements of drama – action, character and poetry – are ...
Seite
... learned much from G. Wilson Knight , J. F. Danby and the late Samuel L. Bethell . My debt to Hardin Craig , my former teacher , goes back a long way . I have made some attempt to record more specific indebtedness in the notes , but for ...
... learned much from G. Wilson Knight , J. F. Danby and the late Samuel L. Bethell . My debt to Hardin Craig , my former teacher , goes back a long way . I have made some attempt to record more specific indebtedness in the notes , but for ...
Seite 1
... learned to embody successive visions of human life in dramatic vehicles , each of which provides the emo- tional equivalent of an intellectual statement . This statement all of 1 The moral vision in Shakespearian tragedy has been argued ...
... learned to embody successive visions of human life in dramatic vehicles , each of which provides the emo- tional equivalent of an intellectual statement . This statement all of 1 The moral vision in Shakespearian tragedy has been argued ...
Seite 12
... learned fully to make of tragedy a vehicle for intellectual statement . As each succeeding play grows richer in moral and in- tellectual vision , the emphasis of the chapters will be upon Shake- speare's conscious ordering of character ...
... learned fully to make of tragedy a vehicle for intellectual statement . As each succeeding play grows richer in moral and in- tellectual vision , the emphasis of the chapters will be upon Shake- speare's conscious ordering of character ...
Seite 19
... learned to express its mode of operation in the appearance and action of a dramatic character . Evil is always present in the world , but Titus brings it upon himself . To make this clear Shakespeare created the incidents of the first ...
... learned to express its mode of operation in the appearance and action of a dramatic character . Evil is always present in the world , but Titus brings it upon himself . To make this clear Shakespeare created the incidents of the first ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York