Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite 6
... kind of historical criticism which has laid itself most open to attack has based its conclusions on limited data and unwarranted assumptions ; thus it has been essentially unhistorical . In the realm of Elizabethan speculative ideas ...
... kind of historical criticism which has laid itself most open to attack has based its conclusions on limited data and unwarranted assumptions ; thus it has been essentially unhistorical . In the realm of Elizabethan speculative ideas ...
Seite 7
... kind of view which tragedy , with its search for moral order , seeks to find , and a close reading of Shake- speare's plays - and not necessarily of the obscure treatises of his contemporaries - reveals that it was a view which ...
... kind of view which tragedy , with its search for moral order , seeks to find , and a close reading of Shake- speare's plays - and not necessarily of the obscure treatises of his contemporaries - reveals that it was a view which ...
Seite 9
... kind of truth must be emotionally experi- enced . But the experience of tragedy may bear a closer relation to that of religion than usually has been recognized . Different as the method of tragedy may be from that of religion , both ...
... kind of truth must be emotionally experi- enced . But the experience of tragedy may bear a closer relation to that of religion than usually has been recognized . Different as the method of tragedy may be from that of religion , both ...
Seite 10
... kind of tension between feeling and idea , between our emotional involvement in a specific situation and our rational contemplation of its meaning . When we recognize the affinity of tragedy to the religious ex- perience , we see why a ...
... kind of tension between feeling and idea , between our emotional involvement in a specific situation and our rational contemplation of its meaning . When we recognize the affinity of tragedy to the religious ex- perience , we see why a ...
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Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York