Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite
... human life in dramatic vehicles, each of which provides the emotional equivalent of an intellectual statement. This statement all of the elements of drama – action, character and poetry – are designed to support. 1 The moral vision in ...
... human life in dramatic vehicles, each of which provides the emotional equivalent of an intellectual statement. This statement all of the elements of drama – action, character and poetry – are designed to support. 1 The moral vision in ...
Seite
... human beings for the duration of the play, and that what these characters do seems reasonable in terms of emotions which the audience can itself experience. In the art of such illusion Shakespeare was a master; it will not be my purpose ...
... human beings for the duration of the play, and that what these characters do seems reasonable in terms of emotions which the audience can itself experience. In the art of such illusion Shakespeare was a master; it will not be my purpose ...
Seite 1
... human life in dramatic vehicles , each of which provides the emo- tional equivalent of an intellectual statement . This statement all of 1 The moral vision in Shakespearian tragedy has been argued by D. G. James , The Dream of Learning ...
... human life in dramatic vehicles , each of which provides the emo- tional equivalent of an intellectual statement . This statement all of 1 The moral vision in Shakespearian tragedy has been argued by D. G. James , The Dream of Learning ...
Seite 2
... human beings for the duration of the play , and that what these characters do seems reasonable in terms of emo- tions which the audience can itself experience . In the art of such illusion Shakespeare was a master ; it will not be my ...
... human beings for the duration of the play , and that what these characters do seems reasonable in terms of emo- tions which the audience can itself experience . In the art of such illusion Shakespeare was a master ; it will not be my ...
Seite 3
... human beings could reflect only the mystery and seeming in- direction of human life . Bradley could lead his readers only to a Shakespeare without positive belief , to a conception of tragedy merely as the posing of unanswerable ...
... human beings could reflect only the mystery and seeming in- direction of human life . Bradley could lead his readers only to a Shakespeare without positive belief , to a conception of tragedy merely as the posing of unanswerable ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York