Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite 3
... Heroes ( New York , 1952 ) . Peter Alexander , Hamlet , Father and Son ( Oxford , 1955 ) , p . 53 , writes that ' Bradley , in his zeal to reconcile us to the facts of tragedy , offers us a conclusion to which only a profound pessimism ...
... Heroes ( New York , 1952 ) . Peter Alexander , Hamlet , Father and Son ( Oxford , 1955 ) , p . 53 , writes that ' Bradley , in his zeal to reconcile us to the facts of tragedy , offers us a conclusion to which only a profound pessimism ...
Seite 8
... hero suffering and dying , it wonders with him if the universe is indeed so ordered and just as man's most basic impulses compel him to believe . In the relief of this doubt lies the exultation and the renewed acceptance of life for ...
... hero suffering and dying , it wonders with him if the universe is indeed so ordered and just as man's most basic impulses compel him to believe . In the relief of this doubt lies the exultation and the renewed acceptance of life for ...
Seite 10
... hero through the process of his destruction may learn the nature of evil and thus attain a spiritual victory in spite of death . This does not mean that all of Shakespeare's tragic heroes attain salvation , for they do not , and it is ...
... hero through the process of his destruction may learn the nature of evil and thus attain a spiritual victory in spite of death . This does not mean that all of Shakespeare's tragic heroes attain salvation , for they do not , and it is ...
Seite 14
... hero who has already been cast for him in conventional Senecan terms by several generations of writers . He is not , however , satisfied with what literary tradition has bequeathed to him . Out of his deliberation emerges a Senecan ...
... hero who has already been cast for him in conventional Senecan terms by several generations of writers . He is not , however , satisfied with what literary tradition has bequeathed to him . Out of his deliberation emerges a Senecan ...
Seite 15
... hero to avenge some ghastly crime committed by a diabolical villain . The revenge finally comes as the result of a clever stratagem at the end of the play , but until it does the avenger berates himself for his failure to accomplish his ...
... hero to avenge some ghastly crime committed by a diabolical villain . The revenge finally comes as the result of a clever stratagem at the end of the play , but until it does the avenger berates himself for his failure to accomplish his ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York