Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... Pattern of Moral Choice : Othello 6. The Pattern of Regeneration : King Lear 7. The Operation of Evil : Timon of Athens and Macbeth 8. The Final Paradox : Antony and Cleopatra and Coriolanus Index +55 14 36 65 91 116 137 168 203 ix.
... Pattern of Moral Choice : Othello 6. The Pattern of Regeneration : King Lear 7. The Operation of Evil : Timon of Athens and Macbeth 8. The Final Paradox : Antony and Cleopatra and Coriolanus Index +55 14 36 65 91 116 137 168 203 ix.
Seite
... final Roman plays, where characters such as Cleopatra and Aufidius are rendered psychologically inconsistent by the conflicting symbolic functions which the total plan requires that they perform. The theatrical tradition in which ...
... final Roman plays, where characters such as Cleopatra and Aufidius are rendered psychologically inconsistent by the conflicting symbolic functions which the total plan requires that they perform. The theatrical tradition in which ...
Seite 2
... final aesthetic object . Nor would I deny the realism of Shakespeare's art which so many critics have affirmed . Shakespeare's dramatic method com- bined a realistic technique with a symbolic one , for the greatest of art must attain a ...
... final aesthetic object . Nor would I deny the realism of Shakespeare's art which so many critics have affirmed . Shakespeare's dramatic method com- bined a realistic technique with a symbolic one , for the greatest of art must attain a ...
Seite 3
... final Roman plays , where characters such as Cleopatra and Aufidius are rendered psycho- logically inconsistent by the conflicting symbolic functions which the total plan requires that they perform . The theatrical tradition in which ...
... final Roman plays , where characters such as Cleopatra and Aufidius are rendered psycho- logically inconsistent by the conflicting symbolic functions which the total plan requires that they perform . The theatrical tradition in which ...
Seite 10
... final sense of reconciliation is an essential ingredient of tragedy , of the Greek no less than the Elizabethan , and it was probably what Aristotle meant by katharsis . The Aristotelian principle of hamartia , or the tragic flaw , a ...
... final sense of reconciliation is an essential ingredient of tragedy , of the Greek no less than the Elizabethan , and it was probably what Aristotle meant by katharsis . The Aristotelian principle of hamartia , or the tragic flaw , a ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York