Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite 1
... Herbert Weisinger , Tragedy and the Paradox of the Fortunate Fall ( East Lansing , Mich . , 1953 ) ; T. R. Henn , The Harvest of Tragedy ( London , 1956 ) . the elements of drama - action , character and poetry I Introduction.
... Herbert Weisinger , Tragedy and the Paradox of the Fortunate Fall ( East Lansing , Mich . , 1953 ) ; T. R. Henn , The Harvest of Tragedy ( London , 1956 ) . the elements of drama - action , character and poetry I Introduction.
Seite 9
... fall , tragedy searches for order and purpose in apparent disaster , and in doing so it reinforces a system of belief which essentially is religious . To assert the intellectual content of tragedy is not to say that a Shakespearian play ...
... fall , tragedy searches for order and purpose in apparent disaster , and in doing so it reinforces a system of belief which essentially is religious . To assert the intellectual content of tragedy is not to say that a Shakespearian play ...
Seite 10
... fall from Paradise , had , by the grace of God , been given the knowledge by means of which he might eventually overcome evil , the Shakespearian tragic hero through the process of his destruction may learn the nature of evil and thus ...
... fall from Paradise , had , by the grace of God , been given the knowledge by means of which he might eventually overcome evil , the Shakespearian tragic hero through the process of his destruction may learn the nature of evil and thus ...
Seite 17
... fall to pose not so much the problem of an individual as that of humanity at large . This intellectual range , alien to the work of his 1 See E. M. Waith , ' The Metamorphosis of Violence in Titus Andronicus ' , Shake- speare Survey 10 ...
... fall to pose not so much the problem of an individual as that of humanity at large . This intellectual range , alien to the work of his 1 See E. M. Waith , ' The Metamorphosis of Violence in Titus Andronicus ' , Shake- speare Survey 10 ...
Seite 18
... fall of Titus within a larger framework in which evil too is destroyed , so that the audience , while lamenting the damnation of one soul , may have a renewed awareness of the perfection of God's order and of the operation of justice in ...
... fall of Titus within a larger framework in which evil too is destroyed , so that the audience , while lamenting the damnation of one soul , may have a renewed awareness of the perfection of God's order and of the operation of justice in ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York