Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite
... dramatic forms and a conventional morality, learned to embody successive visions of human life in dramatic vehicles, each of which provides the emotional equivalent of an intellectual statement. This statement all of the elements of ...
... dramatic forms and a conventional morality, learned to embody successive visions of human life in dramatic vehicles, each of which provides the emotional equivalent of an intellectual statement. This statement all of the elements of ...
Seite
... Dramatic Tradition (London, 1944). Dramatic illusion requires that the audience accept the author's creations as fellow human beings for the duration of the play, and that what these characters do seems reasonable in terms of emotions ...
... Dramatic Tradition (London, 1944). Dramatic illusion requires that the audience accept the author's creations as fellow human beings for the duration of the play, and that what these characters do seems reasonable in terms of emotions ...
Seite 1
... dramatic forms and a conventional morality , learned to embody successive visions of human life in dramatic vehicles , each of which provides the emo- tional equivalent of an intellectual statement . This statement all of 1 The moral ...
... dramatic forms and a conventional morality , learned to embody successive visions of human life in dramatic vehicles , each of which provides the emo- tional equivalent of an intellectual statement . This statement all of 1 The moral ...
Seite 2
... dramatic situation , but it was one he chose because he saw implicit in it an idea with which he was concerned . This situation he analysed and explored , com- bined it with other situations from various sources , so that it could ...
... dramatic situation , but it was one he chose because he saw implicit in it an idea with which he was concerned . This situation he analysed and explored , com- bined it with other situations from various sources , so that it could ...
Seite 3
... dramatic character realistically appraised . Such analysis could lead only to unanswer- able mystery , for stage creations analysed as though they were human beings could reflect only the mystery and seeming in- direction of human life ...
... dramatic character realistically appraised . Such analysis could lead only to unanswer- able mystery , for stage creations analysed as though they were human beings could reflect only the mystery and seeming in- direction of human life ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York