Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite 5
... Divine Comedy , which Fergusson has seen as the prototype of the drama of Western Europe . To effect its philosophical ends , Shakespeare's theatre used specific myths which had themselves evolved as symbols of human experience . In ...
... Divine Comedy , which Fergusson has seen as the prototype of the drama of Western Europe . To effect its philosophical ends , Shakespeare's theatre used specific myths which had themselves evolved as symbols of human experience . In ...
Seite 7
... divine purpose , and it is to this faith that Shake- spearian tragedy directs its appeal . We need not ourselves accept Shakespeare's religious postulates in order to enjoy his plays . The only necessity is that they be believable and ...
... divine purpose , and it is to this faith that Shake- spearian tragedy directs its appeal . We need not ourselves accept Shakespeare's religious postulates in order to enjoy his plays . The only necessity is that they be believable and ...
Seite 18
... divine justice in a harmonious moral order . In Titus Andronicus the forces of good and evil are neatly ar- ranged against one another . Of all the evil characters , Aaron is not only the most fully developed but also the manipulator of ...
... divine justice in a harmonious moral order . In Titus Andronicus the forces of good and evil are neatly ar- ranged against one another . Of all the evil characters , Aaron is not only the most fully developed but also the manipulator of ...
Seite 21
... divine order and purpose . This feeling of reconciliation is supported by the destruction of evil , which in spite of Titus ' damnation vindicates divine justice . The audience participates emotionally in the relief from suffering which ...
... divine order and purpose . This feeling of reconciliation is supported by the destruction of evil , which in spite of Titus ' damnation vindicates divine justice . The audience participates emotionally in the relief from suffering which ...
Seite 23
... divine grace who cleanses the social order , vindicates divine justice , and with the evil force of Richard des- troyed , effects a rebirth of the good . Here we have a pattern for tragedy unlike that of Titus Andronicus . In that play ...
... divine grace who cleanses the social order , vindicates divine justice , and with the evil force of Richard des- troyed , effects a rebirth of the good . Here we have a pattern for tragedy unlike that of Titus Andronicus . In that play ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York