Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite 5
... developed . But at the same time we must not underestimate the considerable evolution through which the drama had passed , with the leavening influence of classical tradition , before Shakespeare approached it . Shakespeare has survived ...
... developed . But at the same time we must not underestimate the considerable evolution through which the drama had passed , with the leavening influence of classical tradition , before Shakespeare approached it . Shakespeare has survived ...
Seite 11
... developed as he worked . He experimented with various com- plexes of human character and situation , sometimes successfully and sometimes not . There are many patterns of action , changing from play to play , as Shakespeare experiments ...
... developed as he worked . He experimented with various com- plexes of human character and situation , sometimes successfully and sometimes not . There are many patterns of action , changing from play to play , as Shakespeare experiments ...
Seite 12
... patterns Shakespeare returned again and again as he grew and developed , changing and expanding them as he learned to ask more profound and all - embracing ques- tions with each succeeding play , until in King Lear 12 Introduction.
... patterns Shakespeare returned again and again as he grew and developed , changing and expanding them as he learned to ask more profound and all - embracing ques- tions with each succeeding play , until in King Lear 12 Introduction.
Seite 18
... developed but also the manipulator of the evil action , the specific author of Titus ' misfortunes . He may be regarded as a symbol of evil itself . He is black , the traditional colour of the devil ( and more specifically of lechery ) ...
... developed but also the manipulator of the evil action , the specific author of Titus ' misfortunes . He may be regarded as a symbol of evil itself . He is black , the traditional colour of the devil ( and more specifically of lechery ) ...
Seite 19
... develop in Iago . As a dramatic embodiment of a specific vice , the lechery which governs Tamora , Aaron affords the first clear example of the symbolic use of character which is to be so marked a feature of the great plays of ...
... develop in Iago . As a dramatic embodiment of a specific vice , the lechery which governs Tamora , Aaron affords the first clear example of the symbolic use of character which is to be so marked a feature of the great plays of ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York