Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... provides the emotional equivalent of an intellectual statement. This statement all of the elements of drama – action, character and poetry – are designed to support. 1 The moral vision in Shakespearian tragedy has been argued Introduction.
... provides the emotional equivalent of an intellectual statement. This statement all of the elements of drama – action, character and poetry – are designed to support. 1 The moral vision in Shakespearian tragedy has been argued Introduction.
Seite 2
Irving Ribner. the elements of drama - action , character and poetry - are designed to support . This is not to say that Shakespeare began each play with an abstract idea . He began probably with a dramatic situation , but it was one he ...
Irving Ribner. the elements of drama - action , character and poetry - are designed to support . This is not to say that Shakespeare began each play with an abstract idea . He began probably with a dramatic situation , but it was one he ...
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... designed to represent the world , and figures who walked across its boards were often symbols of humanity in the large . Medieval art was largely allegorical . Its impulse was didactic , and it relied upon specific symbol to depict ...
... designed to represent the world , and figures who walked across its boards were often symbols of humanity in the large . Medieval art was largely allegorical . Its impulse was didactic , and it relied upon specific symbol to depict ...
Seite 8
... designed to embody . Every one of the tragedies is a separate attempt , if not finally to answer the great problem of man's relation to the forces of evil in the world , at least to pose it in such a way that new facets may be freshly ...
... designed to embody . Every one of the tragedies is a separate attempt , if not finally to answer the great problem of man's relation to the forces of evil in the world , at least to pose it in such a way that new facets may be freshly ...
Seite 11
... designed as a tragedy , it is certainly so different from the others as to require separate treatment . The discussion of the earlier plays will be devoted largely to Shakespeare's adaptation of traditional material , both of dramatic ...
... designed as a tragedy , it is certainly so different from the others as to require separate treatment . The discussion of the earlier plays will be devoted largely to Shakespeare's adaptation of traditional material , both of dramatic ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York