Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Ergebnisse 1-5 von 31
Seite 2
... concerned . This situation he analysed and explored , com- bined it with other situations from various sources , so that it could better express the idea whose germ within it he had initially per- ceived . As he shaped situation and ...
... concerned . This situation he analysed and explored , com- bined it with other situations from various sources , so that it could better express the idea whose germ within it he had initially per- ceived . As he shaped situation and ...
Seite 6
... concerned with him today . The excesses of some critics , however , should not blind us to the basic truth that Shakespeare was a product of his age . We must begin with this premise , but we must remember also that the creative artist ...
... concerned with him today . The excesses of some critics , however , should not blind us to the basic truth that Shakespeare was a product of his age . We must begin with this premise , but we must remember also that the creative artist ...
Seite 10
... concerns of the play ; they are embodiments of specific ideas and moral positions , but these are given ' a local habitation and a name ' . Shakespeare as an artist goes beyond the philosopher in that his abstract ideas are tested in ...
... concerns of the play ; they are embodiments of specific ideas and moral positions , but these are given ' a local habitation and a name ' . Shakespeare as an artist goes beyond the philosopher in that his abstract ideas are tested in ...
Seite 11
... concerned . With this principle in mind , we will have no need to force such diverse plays as Romeo and Juliet , Lear or Antony and Cleopatra into rigidly preconceived conceptions of tragedy into which they cannot fit . Shakespearian ...
... concerned . With this principle in mind , we will have no need to force such diverse plays as Romeo and Juliet , Lear or Antony and Cleopatra into rigidly preconceived conceptions of tragedy into which they cannot fit . Shakespearian ...
Seite 14
... concerned with the mean- ing of human destruction , as Kyd never was ; he is groping towards a dramatic formula which may express significant truth about the relation of mankind to the forces of evil in the world . In Richard III ...
... concerned with the mean- ing of human destruction , as Kyd never was ; he is groping towards a dramatic formula which may express significant truth about the relation of mankind to the forces of evil in the world . In Richard III ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York