Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Ergebnisse 1-5 von 56
Seite 17
... cause of his country . He might now be emperor , but he respects hereditary right and chooses Saturninus instead . He is stern and he is proud , the master of his family , the last of the ancient Romans . Titus is a superman , but being ...
... cause of his country . He might now be emperor , but he respects hereditary right and chooses Saturninus instead . He is stern and he is proud , the master of his family , the last of the ancient Romans . Titus is a superman , but being ...
Seite 18
... causes them also to hope to the very end that he will learn the way of redemption before it is too late . So as not entirely to alienate his audience from Titus , while he depicts the moral degeneration which will lead to the final ...
... causes them also to hope to the very end that he will learn the way of redemption before it is too late . So as not entirely to alienate his audience from Titus , while he depicts the moral degeneration which will lead to the final ...
Seite 19
... in the streets , For valiant doings in their country's cause ? O , if to fight for king and commonweal Were piety in thine , it is in these . Wilt thou draw near the nature of the gods ? Titus Andronicus , Richard III , Romeo and Juliet 19.
... in the streets , For valiant doings in their country's cause ? O , if to fight for king and commonweal Were piety in thine , it is in these . Wilt thou draw near the nature of the gods ? Titus Andronicus , Richard III , Romeo and Juliet 19.
Seite 20
... cause him to forget that Lavinia has already been betrothed to another . A betrothal in Elizabethan England was a binding contract with all of the force of law ; to break it was to violate a woman's honour . Shakespeare's audience would ...
... cause him to forget that Lavinia has already been betrothed to another . A betrothal in Elizabethan England was a binding contract with all of the force of law ; to break it was to violate a woman's honour . Shakespeare's audience would ...
Seite 21
... cause the destruction of a virtuous man by his own moral choice . This wrong moral choice is shown as the product of self - deception and pride , an adherence to an ideal of virtue which is not virtue at all . That evil operated through ...
... cause the destruction of a virtuous man by his own moral choice . This wrong moral choice is shown as the product of self - deception and pride , an adherence to an ideal of virtue which is not virtue at all . That evil operated through ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York