Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
Im Buch
Ergebnisse 1-5 von 81
Seite
... audience accept the author's creations as fellow human beings for the duration of the play, and that what these characters do seems reasonable in terms of emotions which the audience can itself experience. In the art of such illusion ...
... audience accept the author's creations as fellow human beings for the duration of the play, and that what these characters do seems reasonable in terms of emotions which the audience can itself experience. In the art of such illusion ...
Seite 2
... audience accept the author's creations as fellow human beings for the duration of the play , and that what these characters do seems reasonable in terms of emo- tions which the audience can itself experience . In the art of such ...
... audience accept the author's creations as fellow human beings for the duration of the play , and that what these characters do seems reasonable in terms of emo- tions which the audience can itself experience . In the art of such ...
Seite 4
... audience relation , and in order for it to exist at all it must violate physical reality . A dramatic character is governed by the over - all design and purpose of the total play to which he contributes . Violations of physical and ...
... audience relation , and in order for it to exist at all it must violate physical reality . A dramatic character is governed by the over - all design and purpose of the total play to which he contributes . Violations of physical and ...
Seite 8
... audience watches the hero suffering and dying , it wonders with him if the universe is indeed so ordered and just as man's most basic impulses compel him to believe . In the relief of this doubt lies the exultation and the renewed ...
... audience watches the hero suffering and dying , it wonders with him if the universe is indeed so ordered and just as man's most basic impulses compel him to believe . In the relief of this doubt lies the exultation and the renewed ...
Seite 10
... audience need be no less complete . Tragedy is a social art - form , and reconciliation must take place within the audience and not within the actors . The damnation of Macbeth , no less than the salvation of Lear , may serve to affirm ...
... audience need be no less complete . Tragedy is a social art - form , and reconciliation must take place within the audience and not within the actors . The damnation of Macbeth , no less than the salvation of Lear , may serve to affirm ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York