Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... already published . Some parts of this book were delivered as lectures in 1959 at the Sor- bonne , the University College of North Wales in Bangor , and King's College , London . I am glad of this opportunity to thank Professors Michel ...
... already published . Some parts of this book were delivered as lectures in 1959 at the Sor- bonne , the University College of North Wales in Bangor , and King's College , London . I am glad of this opportunity to thank Professors Michel ...
Seite 14
... already is concerned with the mean- ing of human destruction , as Kyd never was ; he is groping towards a dramatic formula which may express significant truth about the relation of mankind to the forces of evil in the world . In Richard ...
... already is concerned with the mean- ing of human destruction , as Kyd never was ; he is groping towards a dramatic formula which may express significant truth about the relation of mankind to the forces of evil in the world . In Richard ...
Seite 17
... already is trying to shape his tragic hero as a symbol of mankind , and in the description of his fall to pose not so much the problem of an individual as that of humanity at large . This intellectual range , alien to the work of his 1 ...
... already is trying to shape his tragic hero as a symbol of mankind , and in the description of his fall to pose not so much the problem of an individual as that of humanity at large . This intellectual range , alien to the work of his 1 ...
Seite 19
... already envisaged as a motiveless force which operates through deception , and Shakespeare has learned to express its mode of operation in the appearance and action of a dramatic character . Evil is always present in the world , but ...
... already envisaged as a motiveless force which operates through deception , and Shakespeare has learned to express its mode of operation in the appearance and action of a dramatic character . Evil is always present in the world , but ...
Seite 20
... already been betrothed to another . A betrothal in Elizabethan England was a binding contract with all of the force of law ; to break it was to violate a woman's honour . Shakespeare's audience would have sided fully with the sons of ...
... already been betrothed to another . A betrothal in Elizabethan England was a binding contract with all of the force of law ; to break it was to violate a woman's honour . Shakespeare's audience would have sided fully with the sons of ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York