Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
Im Buch
Ergebnisse 1-5 von 33
Seite
... accept the author's creations as fellow human beings for the duration of the play, and that what these characters do seems reasonable in terms of emotions which the audience can itself experience. In the art of such illusion Shakespeare ...
... accept the author's creations as fellow human beings for the duration of the play, and that what these characters do seems reasonable in terms of emotions which the audience can itself experience. In the art of such illusion Shakespeare ...
Seite 2
... accept the author's creations as fellow human beings for the duration of the play , and that what these characters do seems reasonable in terms of emo- tions which the audience can itself experience . In the art of such illusion ...
... accept the author's creations as fellow human beings for the duration of the play , and that what these characters do seems reasonable in terms of emo- tions which the audience can itself experience . In the art of such illusion ...
Seite 7
... accept Shakespeare's religious postulates in order to enjoy his plays . The only necessity is that they be believable and that the dramatist by the power of his art enable us to entertain their possibility . As we 1 See Hardin Craig ...
... accept Shakespeare's religious postulates in order to enjoy his plays . The only necessity is that they be believable and that the dramatist by the power of his art enable us to entertain their possibility . As we 1 See Hardin Craig ...
Seite 20
... accept a lesser finite good rather than the greater infinite good of God's will.1 By his attempt to be a God , Titus violates the law of God . 1 See W. C. Curry , Shakespeare's Philosophical Patterns ( Baton Rouge , 1937 ) , p . 112 ...
... accept a lesser finite good rather than the greater infinite good of God's will.1 By his attempt to be a God , Titus violates the law of God . 1 See W. C. Curry , Shakespeare's Philosophical Patterns ( Baton Rouge , 1937 ) , p . 112 ...
Seite 29
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York