Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite 17
... Rome , in spite of the inconsistency which this involves , for there is no reason for a Goth army to serve Lucius against their own queen . Shakespeare also makes of Marcus a virtual chorus to comment upon the action as the play unfolds ...
... Rome , in spite of the inconsistency which this involves , for there is no reason for a Goth army to serve Lucius against their own queen . Shakespeare also makes of Marcus a virtual chorus to comment upon the action as the play unfolds ...
Seite 21
... Rome with the coming of Lucius and his crowning as emperor : Thanks , gentle Romans : may I govern so , To heal Rome's harms , and wipe away her woe ! ( V.iii.147-8 ) In spite of the crudity of style and the Senecan horrors which ...
... Rome with the coming of Lucius and his crowning as emperor : Thanks , gentle Romans : may I govern so , To heal Rome's harms , and wipe away her woe ! ( V.iii.147-8 ) In spite of the crudity of style and the Senecan horrors which ...
Seite 37
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Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York