Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... Renaissance Drama ; In Memory of Karl J. Holzknecht , I am grateful for permission to re - use some materials already published . Some parts of this book were delivered as lectures in 1959 at the Sor- bonne , the University College of ...
... Renaissance Drama ; In Memory of Karl J. Holzknecht , I am grateful for permission to re - use some materials already published . Some parts of this book were delivered as lectures in 1959 at the Sor- bonne , the University College of ...
Seite 3
... Renaissance of nineteenth - century his- torians , and not in the Renaissance which more recent scholarship has revealed to us . 1 Shakespearean Tragedy ( London , 1949 ) . Among Bradley's most judicious de- fenders in recent years have ...
... Renaissance of nineteenth - century his- torians , and not in the Renaissance which more recent scholarship has revealed to us . 1 Shakespearean Tragedy ( London , 1949 ) . Among Bradley's most judicious de- fenders in recent years have ...
Seite 6
... Renaissance was an age of intellectual change and contradiction , with medieval and classical notions often in sharp conflict with one another . It is inevitable that there should have been such conflict , as there has been in every age ...
... Renaissance was an age of intellectual change and contradiction , with medieval and classical notions often in sharp conflict with one another . It is inevitable that there should have been such conflict , as there has been in every age ...
Seite 7
... Renaissance Christian human- ism carried on from the Middle Ages1 is essential to an under- standing of Shakespeare's tragedies . Such a conception of the universe is not a universal ' Elizabethan view ' ; we must recognize that it was ...
... Renaissance Christian human- ism carried on from the Middle Ages1 is essential to an under- standing of Shakespeare's tragedies . Such a conception of the universe is not a universal ' Elizabethan view ' ; we must recognize that it was ...
Seite 10
... Renaissance is the possibility of man's redemption from evil . Just as Adam , in spite of his fall from Paradise , had , by the grace of God , been given the knowledge by means of which he might eventually overcome evil , the ...
... Renaissance is the possibility of man's redemption from evil . Just as Adam , in spite of his fall from Paradise , had , by the grace of God , been given the knowledge by means of which he might eventually overcome evil , the ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York