Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... The Pattern of Moral Choice : Othello 6. The Pattern of Regeneration : King Lear 7. The Operation of Evil : Timon of Athens and Macbeth 8. The Final Paradox : Antony and Cleopatra and Coriolanus Index +55 14 36 65 91 116 137 168 203 ix.
... The Pattern of Moral Choice : Othello 6. The Pattern of Regeneration : King Lear 7. The Operation of Evil : Timon of Athens and Macbeth 8. The Final Paradox : Antony and Cleopatra and Coriolanus Index +55 14 36 65 91 116 137 168 203 ix.
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... and the Nature of Man ( New York , 1949 ) , pp . 1-20 ; J. F. Danby , Shakespeare's Doctrine of Nature : A Study of King Lear ( London , 1949 ) , pp . 20-53 . watch Macbeth , for instance , we assume with the Introduction 7.
... and the Nature of Man ( New York , 1949 ) , pp . 1-20 ; J. F. Danby , Shakespeare's Doctrine of Nature : A Study of King Lear ( London , 1949 ) , pp . 20-53 . watch Macbeth , for instance , we assume with the Introduction 7.
Seite 9
... Lear ; by Paul N. Siegel , Shakespearean Tragedy and the Elizabethan Compromise ( New York , 1957 ) ; by H. S. Wilson , On the Design of Shakespearian Tragedy ( Toronto , 1957 ) ; and by John Vyvyan , The Shakespearean Ethic ( London ...
... Lear ; by Paul N. Siegel , Shakespearean Tragedy and the Elizabethan Compromise ( New York , 1957 ) ; by H. S. Wilson , On the Design of Shakespearian Tragedy ( Toronto , 1957 ) ; and by John Vyvyan , The Shakespearean Ethic ( London ...
Seite 10
... Lear may undergo redemption , but Richard III or Macbeth is unequivocally damned , and the reconciliation experienced by the audience need be no less complete . Tragedy is a social art - form , and reconciliation must take place within ...
... Lear may undergo redemption , but Richard III or Macbeth is unequivocally damned , and the reconciliation experienced by the audience need be no less complete . Tragedy is a social art - form , and reconciliation must take place within ...
Seite 11
... Lear and Macbeth . But Shakespearian tragedy is not a static phenomenon . To exclude such plays as Romeo and Juliet and Titus Andronicus because they are early work , or such plays as Richard III and Julius Caesar because they deal with ...
... Lear and Macbeth . But Shakespearian tragedy is not a static phenomenon . To exclude such plays as Romeo and Juliet and Titus Andronicus because they are early work , or such plays as Richard III and Julius Caesar because they deal with ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York