Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... John , Richard II , Julius Caesar 4. The Pattern of Growth : Hamlet 5. The Pattern of Moral Choice : Othello 6. The Pattern of Regeneration : King Lear 7. The Operation of Evil : Timon of Athens and Macbeth 8. The Final Paradox : Antony ...
... John , Richard II , Julius Caesar 4. The Pattern of Growth : Hamlet 5. The Pattern of Moral Choice : Othello 6. The Pattern of Regeneration : King Lear 7. The Operation of Evil : Timon of Athens and Macbeth 8. The Final Paradox : Antony ...
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... Welsford of Newnham College , Cam- bridge . The kindness of T. R. Henn of St. Catherine's has gone beyond the mere reading of the manuscript . The John Simon Guggenheim Memorial Foundation and the Research Council xi Preface.
... Welsford of Newnham College , Cam- bridge . The kindness of T. R. Henn of St. Catherine's has gone beyond the mere reading of the manuscript . The John Simon Guggenheim Memorial Foundation and the Research Council xi Preface.
Seite
Irving Ribner. The John Simon Guggenheim Memorial Foundation and the Research Council of Tulane University have given me periods of relief from teaching which have helped make the book possible . It could not have been written at all ...
Irving Ribner. The John Simon Guggenheim Memorial Foundation and the Research Council of Tulane University have given me periods of relief from teaching which have helped make the book possible . It could not have been written at all ...
Seite 9
... ) ; by H. S. Wilson , On the Design of Shakespearian Tragedy ( Toronto , 1957 ) ; and by John Vyvyan , The Shakespearean Ethic ( London , 1959 ) . characters and specific action , and it is communicated in Introduction 9.
... ) ; by H. S. Wilson , On the Design of Shakespearian Tragedy ( Toronto , 1957 ) ; and by John Vyvyan , The Shakespearean Ethic ( London , 1959 ) . characters and specific action , and it is communicated in Introduction 9.
Seite 12
... John through Julius Caesar to embody political as well as ethical ideas in dra- matic form . Through his treatment of the relative certainties of political doctrine , Shakespeare probably learned to handle ideas more effectively , and ...
... John through Julius Caesar to embody political as well as ethical ideas in dra- matic form . Through his treatment of the relative certainties of political doctrine , Shakespeare probably learned to handle ideas more effectively , and ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York