Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite 6
... England : its science and cosmology , its psychology and moral philosophy , its astro- nomy and theology , its political theory and political problems , its literary criticism . The application of such historical scholarship to ...
... England : its science and cosmology , its psychology and moral philosophy , its astro- nomy and theology , its political theory and political problems , its literary criticism . The application of such historical scholarship to ...
Seite 9
... England . Like the Christian paradox of the fortunate fall , tragedy searches for order and purpose in apparent disaster , and in doing so it reinforces a system of belief which essentially is religious . To assert the intellectual ...
... England . Like the Christian paradox of the fortunate fall , tragedy searches for order and purpose in apparent disaster , and in doing so it reinforces a system of belief which essentially is religious . To assert the intellectual ...
Seite 20
... England was a binding contract with all of the force of law ; to break it was to violate a woman's honour . Shakespeare's audience would have sided fully with the sons of Titus in their opposition to his decree . Similarly , an ...
... England was a binding contract with all of the force of law ; to break it was to violate a woman's honour . Shakespeare's audience would have sided fully with the sons of Titus in their opposition to his decree . Similarly , an ...
Seite 22
... England for her sins , but who while inflicting punishment upon others would also damn his own soul . Such a conception called for a simple pattern of dramatic action . The entire play is centred about the rise and fall of a demonic ...
... England for her sins , but who while inflicting punishment upon others would also damn his own soul . Such a conception called for a simple pattern of dramatic action . The entire play is centred about the rise and fall of a demonic ...
Seite 23
... England . Until the final act Richard is the symbol of England , and she suffers the degradation which her king's devotion to evil entails . In the final act Henry of Richmond becomes the new sym- bol of England , and in his virtue England ...
... England . Until the final act Richard is the symbol of England , and she suffers the degradation which her king's devotion to evil entails . In the final act Henry of Richmond becomes the new sym- bol of England , and in his virtue England ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York