Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... Elizabethan tragedy was the culmination of a popular dramatic tradition which has its roots securely in medieval life . The Elizabethan stage was not primarily a realistic one . It was , 1 I refer particularly to Levin Schucking ...
... Elizabethan tragedy was the culmination of a popular dramatic tradition which has its roots securely in medieval life . The Elizabethan stage was not primarily a realistic one . It was , 1 I refer particularly to Levin Schucking ...
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... Elizabethan tragedy is medieval , that the differ- ences are not enormous . Dramatic forms themselves distinctly Elizabethan , however , may be developments from medieval arche- types , of which the morality play may serve as a ...
... Elizabethan tragedy is medieval , that the differ- ences are not enormous . Dramatic forms themselves distinctly Elizabethan , however , may be developments from medieval arche- types , of which the morality play may serve as a ...
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... Elizabethan England : its science and cosmology , its psychology and moral philosophy , its astro- nomy and theology , its political theory and political problems , its literary criticism . The application of such historical scholarship ...
... Elizabethan England : its science and cosmology , its psychology and moral philosophy , its astro- nomy and theology , its political theory and political problems , its literary criticism . The application of such historical scholarship ...
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... Elizabethan view ' ; we must recognize that it was being consistently challenged throughout Shakespeare's lifetime . But it is exactly the kind of view which tragedy , with its search for moral order , seeks to find , and a close ...
... Elizabethan view ' ; we must recognize that it was being consistently challenged throughout Shakespeare's lifetime . But it is exactly the kind of view which tragedy , with its search for moral order , seeks to find , and a close ...
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... Elizabethan cosmology , with its religious and philosophical em- phasis upon order and degree , furnished the background against which Shakespeare's tragedies were conceived . We must realize also , however , that the scepticism of ...
... Elizabethan cosmology , with its religious and philosophical em- phasis upon order and degree , furnished the background against which Shakespeare's tragedies were conceived . We must realize also , however , that the scepticism of ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York