Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite 7
... Christian human- ism carried on from the Middle Ages1 is essential to an under- standing of Shakespeare's tragedies . Such a conception of the universe is not a universal ' Elizabethan view ' ; we must recognize that it was being ...
... Christian human- ism carried on from the Middle Ages1 is essential to an under- standing of Shakespeare's tragedies . Such a conception of the universe is not a universal ' Elizabethan view ' ; we must recognize that it was being ...
Seite 8
... Christians to appreciate Shakespeare , but we do need to share certain moral premises which have been the property of thinking men throughout history : the ethical primacy of love , justice , loyalty , and a belief in the distinction ...
... Christians to appreciate Shakespeare , but we do need to share certain moral premises which have been the property of thinking men throughout history : the ethical primacy of love , justice , loyalty , and a belief in the distinction ...
Seite 9
... Christian paradox of the fortunate fall , tragedy searches for order and purpose in apparent disaster , and in doing ... Christian milieu in which they were written . The Christian element in Shakespearian tragedy , on the other hand ...
... Christian paradox of the fortunate fall , tragedy searches for order and purpose in apparent disaster , and in doing ... Christian milieu in which they were written . The Christian element in Shakespearian tragedy , on the other hand ...
Seite 10
... Christian Renaissance is the possibility of man's redemption from evil . Just as Adam , in spite of his fall from Paradise , had , by the grace of God , been given the knowledge by means of which he might eventually overcome evil , the ...
... Christian Renaissance is the possibility of man's redemption from evil . Just as Adam , in spite of his fall from Paradise , had , by the grace of God , been given the knowledge by means of which he might eventually overcome evil , the ...
Seite 11
Irving Ribner. closely as it is on the Christian notion of sin than on the Greek idea of nemesis . Bradley's particular use of hamartia led him to a static conception of Shakespearian tragedy . He measured Shake- speare's plays against a ...
Irving Ribner. closely as it is on the Christian notion of sin than on the Greek idea of nemesis . Bradley's particular use of hamartia led him to a static conception of Shakespearian tragedy . He measured Shake- speare's plays against a ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York