Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... Caesar 4. The Pattern of Growth : Hamlet 5. The Pattern of Moral Choice : Othello 6. The Pattern of Regeneration : King Lear 7. The Operation of Evil : Timon of Athens and Macbeth 8. The Final Paradox : Antony and Cleopatra and ...
... Caesar 4. The Pattern of Growth : Hamlet 5. The Pattern of Moral Choice : Othello 6. The Pattern of Regeneration : King Lear 7. The Operation of Evil : Timon of Athens and Macbeth 8. The Final Paradox : Antony and Cleopatra and ...
Seite 11
... Caesar because they deal with historical matter ( as , incidentally , Renaissance theory held that all tragedy should ) is an evasion of the issue . We must assume , on the contrary , that there is no one formula - Aristotelian ...
... Caesar because they deal with historical matter ( as , incidentally , Renaissance theory held that all tragedy should ) is an evasion of the issue . We must assume , on the contrary , that there is no one formula - Aristotelian ...
Seite 12
... Caesar to embody political as well as ethical ideas in dra- matic form . Through his treatment of the relative certainties of political doctrine , Shakespeare probably learned to handle ideas more effectively , and from politics he ...
... Caesar to embody political as well as ethical ideas in dra- matic form . Through his treatment of the relative certainties of political doctrine , Shakespeare probably learned to handle ideas more effectively , and from politics he ...
Seite 36
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Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Häufige Begriffe und Wortgruppen
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York