5. O Attic shape! Fair attitude! with brede When old age shall this generation waste, Thou shalt remain, in midst of other woe T'han ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty," that is all Ye know on earth, and all ye need to know. ODE TO PSYCHE. GODDESS! hear these tuneless numbers, wrung By sweet enforcement and remembrance dear, And pardon that thy secrets should be sung, Even into thine own soft-couched ear: Surely I dreamt to-day, or did I see The winged Psyche with awaken'd eyes! I wander'd in a forest thoughtlessly, And, on the sudden, fainting with surprise, Saw two fair creatures, couched side by side In deepest grass, beneath the whisp'ring roof Of leaves and trembled blossoms, where there' ran A brooklet, scarce espied: But who wast thou, O happy, happy dove? O latest-born and loveliest vision far Or Vesper, amorous glow-worm of the sky; Fairer than these, though temple thou hast none, Nor altar heap'd with flowers; Nor virgin-choir to make delicious moan No voice, no lute, no pipe, no incense sweet No shrine, no grove, no oracle, no heat U brightest! though too late for antique vows, Thy voice, thy lute, thy pipe, thy incense sweet Thy shrine, thy grove, thy oracle, thy heat Yes, I will be thy priest, and build a fane Instead of pines shall murmur in the wind: Far, far around shall those dark-cluster'd trees Fledge the wild-ridged mountains steep by steep; And there by zephyrs, streams, and birds, and bees, The moss-lain Dryads shall be lull'd to sleep; And in the midst of this wide quietness A rosy sanctuary will I dress With the wreathed trellis of a working brain, With buds, and bells, and stars without a name, With all the gardener Fancy e'er could feign, Who breeding flowers, will never breed the same: And there shall be for thee all soft delight That shadowy thought can win, A bright torch, and a casement ope at night, To let the warm Love in! FANCY. EVER let the Fancy roam, At a touch sweet Pleasure melteth, To banish Even from her sky. Fancy, high commission'd: send her! And thou shalt quaff it :-thou sha't hear Rustle of the reaped corn; MISCELLANEOUS POEMS. Sweet birds antheming the morn: Or the rocks, with busy caw, Sapphire queen of the mid-May; O, sweet Fancy! let her loose; Every thing is spoilt by use: Where's the cheek that doth not fade, Too much gazed at? Where's the maid Whose lip mature is ever new? Where's the eye, however blue, Doth not weary? Where's the face One would meet in every place? Where's the voice, however soft, One would hear so very oft? At a touch sweet Pleasure melteth Like to bubbles when rain pelteth. Let, then, winged Fancy find Thee a mistress to thy mind: Dulcet-eyed as Ceres' daughter, Ere the God of Torment taught her How to frown and how to chide; With a waist and with a side White as Hebe's when her zone Slipt in golden clasp, and down Fell her kirtle to her feet, While she held the goblet sweet, And Jove grew languid.-Break the mesh And such joys as these she'll bring.- ODE. BARDS of Passion and of Mirth, With the whisper of heaven's trees Thus ye live on high, and then On the earth ye live again; And the souls ye left behind you Teach us, here, the way to find you, Where your other souls are joying, Never slumber'd, never cloying. Here, your earth-born souls still speak To mortals, of their little week; Of their sorrows and delights; Of their passions and their spites; Of their glory and their shame; What doth strengthen and what main. Thus ye teach us, every day, Wisdom, though fled far away. Bards of Passion and of Mirth, Ye have left your souls on earth' Ye have souls in heaven too, Double-lived in regions new! ROBIN HOOD. TO A FRIEND. No! those days are gone away, No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amazed to hear Jesting, deep in forest drear. On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can 27 Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale Messenger for spicy ale. Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grené shawe;" All are gone away and past! And if Robin should be cast Sudden from his tufted grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dock-yard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her-strange! that honey Can't be got without hard money! So it is; yet let us sing Honour to the old bow-string! Honour to the bugle-horn? Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood clan! Though their days have hurried by, Let us two a burden try. TO AUTUMN. SEASON of mists and mellow fruitfulness! With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, With a sweet kernel; to set budding more, Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drowsed with the fume of poppies, while thy hook Spares the next swath and all its twined flowers; And sometimes like a gleaner thou dost keep Thou watchest the last oozings, hours by Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too,While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn ; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies. ODE ON MELANCHOLY. No, no, go not to Lethe, neither twist Nor suffer thy pale forchead to be kiss'd Nor let the beetle, nor the death-moth be But when the melancholy fit shall fall Sudden from heaven like a weeping cloud, That fosters the droop-headed flowers all, And hides the green hill in an April shroud; Then glut thy sorrow on a morning rose, Or on the rainbow of the salt sand-wave, Or on the wealth of globed peonies; Or if thy mistress some rich anger shows, Imprison her soft hand, and let her rave, And feed deep, deep upon her peerless eyes. She dwells with Beauty-Beauty that must die; And Joy, whose hand is ever at his lips Bidding adieu; and aching Pleasure nigh, Turning to poison while the bee-mouth sips: Ay, in the yery temple of Delight Veil'd Melancholy has her sovran shrine, Though seen of none save him whose strenu ous tongue Can burst Joy's grape against his palate fine; His soul shall taste the sadness of her might, And be among her cloudy trophies hung. HARTLEY COLERIDGE. HARTLEY COLERIDGE was born near Bristol, September 19, 1796. He was the eldest son of Samuel Taylor Coleridge, and inherited much of his genius. He entered Merton College, Oxford, and obtained a fellowship in 1818, but forfeited it by intemperate habits. He went to London and wrote for periodicals; removed to Ambleside to teach, but obtained no pupils, and died there in 1849. His sonnets have been universally admired. He wrote two prose works, a "Life of Massinger" and "Worthies of Yorkshire and Lancashire." TO A FRIEND. WHEN We were idlers with the loitering rills, On the white mist, and dwelt upon the hills, That, wisely doting, asked not why it doted, The hills sleep on in their eternity. For the lark's bold song is of the sky SHE IS NOT FAIR TO OUTWARD VIEW. SHE is not fair to outward view, Until she smiled on me : But now her looks are coy and cold; SONG. 'Tis sweet to hear the merry lark, That bids a blithe good-morrow; But sweeter to hark, in the twinkling dark, To the soothing song of sorrow. O nightingale! What doth she ail? And is she sad or jolly? The merry lark he soars on high, No worldly thought o'ertakes him; He sings aloud to the clear blue sky, And the daylight that awakes him. As sweet a lay, as loud, as gay, The nightingale is trilling; With feeling bliss, no less than his, Her little heart is thrilling. Yet ever and anon, a sigh Peers through her lavish mirth; SAMUEL LOVER. SAMUEL LOVER was born in Dublin, in 1797. His father was a stock-broker. Samuel studied painting, was elected to the Royal Hibernian Society of Arts, and excelled in miniatures. He exhibited a portrait of Paganini, which gave him some reputation. But his best genius was for literature, and, encouraged by Thomas Moore, he turned to that. In 1832 he published "Legends and Stories of Ireland," with etchings by himself, which was well received, and two years later he issued a second series. In 1837 he removed to London, and made literature his sole profession. His novel "Rory O'More" was at once popular, and a dramatization of it was successful on the stage. In 1839 he published "Songs and Ballads." His songs are his best poems, and more than a hundred of them were set to music, mainly by himself. These songs have been sung the RORY O'MORE; OR, GOOD OMENS. YOUNG RORY O'MORE courted Kathleen Bawn, He was bold as a hawk-she as soft as the dawn, He wished in his heart pretty Kathleen to please, And he thought the best way to do that was to tease. "Now, Rory, be aisy," sweet Kathleen would cry, (Reproof on her lip, but a smile in her eye,) "With your tricks I don't know, in troth, what I'm about, Faith you've teased till I've put on my cloak inside out." "Oh! jewel," says Rory, "that same is the way You've thrated my heart for this many a day; And 'tis plaz'd that I am, and why not to be sure? For 'tis all for good luck," says bold Rory O'More. world over, and are especially effective on the stage. In 1844 he began an entertainment called "Irish Evenings," in which he was the sole performer-similar to Dibdin's "Whim of the Moment," and it was very successful. After giving these entertainments throughout Great Britain, he visited the United States, where they were equally well received; and on returning home in 1848 he began a new series founded on his experiences in America. He published "Metrical Tales, and Other Poems" in 1860, and a complete edition of his poems has since been issued. Lover received a literary pension from the government during the last years of his life. He died July 6, 1868. His life, with selections from his unpublished papers and correspondence, by Bayle Bernard, was published in 1874. Oh! jewel, keep draming that same till you die, And bright morning will give dirty night the black lie! And 'tis plaz'd that I am, and why not to be sure? Since 'tis all for good luck," says bold Rory O'More. Arrah, Kathleen, my darlint, you've teased me enough, Sure I've thrash'd for your sake Dinny Grimes and Jim Duff; And I've made myself, drinking your health, quite a baste, So I think, after that, I may talk to the priest." Then Rory, the rogue, stole his arm round her neck, So soft and so white, without freckle or speck, And he look'd in her eyes that were beaming with light, And he kiss'd her sweet lips;-don't you think he was right? "Now Rory, leave off, sir; you'll hug me no more, That's eight times to-day you have kissed me before." "Then here goes another," says he, "to make sure, For there's luck in odd numbers," says Rory O'More. Paddy's mode of asking a girl to name the day. |