The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A MemoirAuthorHouse, 10.11.2006 - 172 Seiten
THE LEGACY OF KATHARINE HEPBURN: Fine Art as a Way of Life Maryann Pasda DiEdwardo Memoir The legacy of the late Katharine Hepburn undeniably benefits a twenty-first century audience, because Kate identifies the artistic spirit. As one of the most important women of the twentieth century, Hepburn was an artist who exemplified the independent character, freedom and opportunity available to women as paramount whether she was on stage or in film. As the late Hepburn, she has become a living art spirit with a legacy that acts as a shining example. |
Im Buch
Ergebnisse 1-5 von 16
Seite xviii
... direction of Andrew Leigh, and again in 1937 directed by Esme Church; Katharine Hepburn portrayed the heroine at the Cort Theatre in New York City in 1950 directed by Michael Benthall, and Vanessa Redgrave created the role at the ...
... direction of Andrew Leigh, and again in 1937 directed by Esme Church; Katharine Hepburn portrayed the heroine at the Cort Theatre in New York City in 1950 directed by Michael Benthall, and Vanessa Redgrave created the role at the ...
Seite xxi
... direction and Mr. Bailey's dominant scenery and costumes. These factors deterred her from developing into a more truthful Rosalind. The major problem with this production of As You Like It seemed to be the fault of the producers ...
... direction and Mr. Bailey's dominant scenery and costumes. These factors deterred her from developing into a more truthful Rosalind. The major problem with this production of As You Like It seemed to be the fault of the producers ...
Seite xxxvi
... direction of Andrew Leigh (Forbes 281-282). However, the director cut lengthy passages and the elaborate setting and costumes created realistic stage pictures but distracted the attention of the audience from Miss Evan's fine ...
... direction of Andrew Leigh (Forbes 281-282). However, the director cut lengthy passages and the elaborate setting and costumes created realistic stage pictures but distracted the attention of the audience from Miss Evan's fine ...
Seite xxxvii
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Seite 1
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Inhalt
CHAPTER ONE | 1 |
CHAPTER TWO | 18 |
CHAPTER THREE Conclusions | 28 |
Edith Evans Performances in 1926 with Old Vic | 58 |
List of Performing Arts Research Libraries | 65 |
Andere Ausgaben - Alle anzeigen
The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A Memoir Maryann Pasda Diedwardo Eingeschränkte Leseprobe - 2008 |
The Legacy of Katharine Hepburn: Fine Art As a Way of Life: a Memoir Maryann Pasda Diedwardo Keine Leseprobe verfügbar - 2006 |
Häufige Begriffe und Wortgruppen
Academy Award acting actors actress allow American appeared Arden artist audience Available become best actress career cast Center Chapter character Church classroom College comedy Company costumes create Critics cultural curriculum Date Decade developed direction director drama Edith Evans educational effort England English fact film fine art follow Forest human important interpretation January journal Katharine Hepburn legacy Library lighting lives London method Michael Miss Evans Miss Hepburn nature nomination offers Old Vic Online opening original Orlando Oscar paradigm performance play played Rosalind portrayal portrayed preparation present production reader Review role romantic Rosalind scene scenery Shakespeare spirit stage history star style success suggest Teaching technical Theatre Theatre Arts theatrical theory thesis transformed twentieth century Vanessa Redgrave voice woman women writing York
Beliebte Passagen
Seite xx - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modem instances; And so he plays his part.