The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A MemoirAuthorHouse, 10.11.2006 - 172 Seiten
THE LEGACY OF KATHARINE HEPBURN: Fine Art as a Way of Life Maryann Pasda DiEdwardo Memoir The legacy of the late Katharine Hepburn undeniably benefits a twenty-first century audience, because Kate identifies the artistic spirit. As one of the most important women of the twentieth century, Hepburn was an artist who exemplified the independent character, freedom and opportunity available to women as paramount whether she was on stage or in film. As the late Hepburn, she has become a living art spirit with a legacy that acts as a shining example. |
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Seite xviii
... Aldwych Theatre in London, England in 1961 directed by Michael Elliott. Four conclusions concerning methods of producing As You Like It and interpretations of Rosalind in the twentieth century emerge from this study: (1) methods of ...
... Aldwych Theatre in London, England in 1961 directed by Michael Elliott. Four conclusions concerning methods of producing As You Like It and interpretations of Rosalind in the twentieth century emerge from this study: (1) methods of ...
Seite xxxi
... Theatre in New York City in 1950, and Vanessa Redgrave created the role at the Aldwych Theatre in London, England in 1961. In the introduction to this study, I have provided a short plot synopsis and a brief stage history of As You Like ...
... Theatre in New York City in 1950, and Vanessa Redgrave created the role at the Aldwych Theatre in London, England in 1961. In the introduction to this study, I have provided a short plot synopsis and a brief stage history of As You Like ...
Seite xxxvi
... Aldwych Theatre in 1961 under Michael Elliott was staged in the new style. Ironically, the new practices are similar to methods of production during Shakespeare's time. Then, “the plays of Shakespeare lived in their true medium in the ...
... Aldwych Theatre in 1961 under Michael Elliott was staged in the new style. Ironically, the new practices are similar to methods of production during Shakespeare's time. Then, “the plays of Shakespeare lived in their true medium in the ...
Seite xxxvii
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Inhalt
CHAPTER ONE I | 1 |
CHAPTER TWO | 18 |
CHAPTER THREE CONCLUSIONS | 28 |
CHAPTER FOUR KATHARINE HEPBURNS LEGACY | 34 |
CHAPTER FIVE PERFORMING ARTS RESEARCH | 56 |
Andere Ausgaben - Alle anzeigen
The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A Memoir Maryann Pasda Diedwardo Eingeschränkte Leseprobe - 2008 |
The Legacy of Katharine Hepburn: Fine Art As a Way of Life: a Memoir Maryann Pasda Diedwardo Keine Leseprobe verfügbar - 2006 |
Häufige Begriffe und Wortgruppen
Academy Award acting technique actors Aldwych Theatre Andrew Leigh Art/Dance/Drama/Music/Writing artist audience best actress California Coast University career cast Celia Chapter character Cort create cultural curriculum Date of Access Decade DiEdwardo direction director drama Edith Evans played England Esme Church Evans played Rosalind Forest of Arden Golden Pond journal Kate Katharine Hepburn Katharine Hepburn Nominated legacy of Hepburn Legacy of Katharine Lehigh University Library Lincoln Center literary London Observer MaryAnn Pasda Michael Benthall Michael Elliott Miss Evans Miss Hepburn Miss Redgrave Morning Glory Nominated for Academy Old Vic Online Orlando Paradigm for Teaching pastoral comedy performance of Rosalind Performing Arts Research portrayal of Rosalind portrayed present producing Shakespeare reader Review of Edith romantic Shakespearean stage history Stanislavsky System Stratford style success technical television Theatre Arts Theatre Guild Theatre History theatrical thesis twentieth century unified Vanessa Redgrave William Shakespeare woman women writing York City York Theatre Critics
Beliebte Passagen
Seite xx - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modem instances; And so he plays his part.