Chromatography; Or, A Treatise on Colours and Pigments: And of Their Powers in PaintingTilt and Bogue, 1841 - 424 Seiten |
Im Buch
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Seite 5
... light , shade , and colours in painting appear to have been understood by the antient Greeks to have been lost with their valu- able treatises on the art , including that of " Eu- phranor on Colours , " ever since the time of the Romans ...
... light , shade , and colours in painting appear to have been understood by the antient Greeks to have been lost with their valu- able treatises on the art , including that of " Eu- phranor on Colours , " ever since the time of the Romans ...
Seite 9
... light which is best adapted to the distinguishing of colours , —by that boundless diversity of hue in nature , relieved by those fine effects of light and shade which are de- nied to more vertical suns , and by those beauties of ...
... light which is best adapted to the distinguishing of colours , —by that boundless diversity of hue in nature , relieved by those fine effects of light and shade which are de- nied to more vertical suns , and by those beauties of ...
Seite 10
... light , shade , and colouring , which constitute the whole filling up of pictured objects , figures , and effects , have appropriate forms , draw- ing , composition , grace , and expression ; and the necessity of studying these in all ...
... light , shade , and colouring , which constitute the whole filling up of pictured objects , figures , and effects , have appropriate forms , draw- ing , composition , grace , and expression ; and the necessity of studying these in all ...
Seite 11
... light , shade , and colours ? Colouring is , therefore , the first requisite — the matter and medium of the painter's art it is indeed the first quality which engages attention and regard — the best introduc- tion to a picture , and ...
... light , shade , and colours ? Colouring is , therefore , the first requisite — the matter and medium of the painter's art it is indeed the first quality which engages attention and regard — the best introduc- tion to a picture , and ...
Seite 26
... light and shade , straight and crooked , rough and plain , and bestow youth and age where and when it best pleaseth 26 ON THE EXPRESSION OF COLOUR ,
... light and shade , straight and crooked , rough and plain , and bestow youth and age where and when it best pleaseth 26 ON THE EXPRESSION OF COLOUR ,
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Chromatography: Or Treatise on Colours and Pigments as Used by Artists George Field Keine Leseprobe verfügbar - 2020 |
Häufige Begriffe und Wortgruppen
according afford antient artist beautiful become bistre bright brown burnt called Cappagh carmine chemical chromatic citrine Cobalt Green cochineal colourist combined compound contrast copal copper greens dark denomination dries drying oil durable effect employed essential oils expression fresco gamboge glazing gray green grey ground harmony hence hydrogen impure air lakes latter less light and shade linseed oil litharge lours madder madder lakes mastic ments mixed mixture modes Naples yellow nature neutral ochre olive opaque orange orpiment oxide oxygen painter painting palette perfect permanent picture pigments poets powers of colours practice prepared primary colours principles of light produced properties proportion Prussian blue pure purple relations remarked rendered resins respect russet scarlet secondary semi-neutral SHAKSPERE Sienna Earth substances tertiary texture tints with white Titian tone transparent true ultramarine various varnish vehicle Venetian vermilion warm water and oil white lead
Beliebte Passagen
Seite 308 - Hence loathed Melancholy Of Cerberus and blackest midnight born, In Stygian Cave forlorn 'Mongst horrid shapes, and shrieks, and sights unholy, Find out some uncouth cell, Where brooding darkness spreads his jealous wings, And the night-raven sings; There, under ebon shades, and low-brow'd rocks, As ragged as thy locks, In dark Cimmerian desert ever dwell.
Seite 13 - Yet nature is made better by no mean, But nature makes that mean: so, o'er that art, Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race: this is an art Which does mend nature, — change it rather; but The art itself is nature.
Seite 261 - Look once more ere we leave this specular mount Westward, much nearer by south-west, behold Where on the ^Egean shore a city stands Built nobly, pure the air, and light the soil ; Athens, the eye of Greece, mother of arts And eloquence, native to famous wits Or hospitable, in her sweet recess, City or suburban, studious walks and shades ; See there the olive grove of Academe, Plato's retirement, where the Attic bird Trills her thick-warbled notes the summer long ; There flowery hill Hymettus, with...
Seite 10 - tis the mind that makes the body rich ; And as the sun breaks through the darkest clouds, So honour peereth in the meanest habit. What, is the jay more precious than the lark, Because his feathers are more beautiful ? Or is the adder better than the eel, Because his painted skin contents the eye ? O, no, good Kate ; neither art thou the worse For this poor furniture, and mean array.
Seite 252 - Awake : The morning shines, and the fresh field Calls us ; we lose the prime, to mark how spring Our tender plants, how blows the citron grove, What drops the myrrh, and what the balmy reed, How nature paints her colours, how the bee Sits on the bloom extracting liquid sweet.
Seite 230 - Fair laughs the morn, and soft the zephyr blows While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
Seite 264 - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
Seite 310 - The effect and it! Come to my woman's breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature's mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark, To cry 'Hold, hold!
Seite 244 - Eye was fix'd on her alone. On her white Breast a sparkling Cross she wore, Which Jews might kiss, and Infidels adore. Her lively Looks a sprightly Mind disclose, Quick as her Eyes, and as...
Seite 32 - What hands are here? ha! they pluck out mine eyes! Will all great Neptune's ocean wash this blood Clean from my hand? No; this my hand will rather The multitudinous seas incarnadine, Making the green one red.