“A” General History of the Science and Practice of Music, Volume 71

Academy afferted affiftance alfo alſo ancient anthems Antonio Lotti applaufe befides beſt Bononcini Cantatas cathedral celebrated church compofed compofition concert confiderable confifting Corelli ditto divifion England Engliſh entertainment entitled eſtabliſhment excellent faid fame Farinelli favour fcience fecond feems fent fentiments fervice feven feveral fhort fing fingers firft firſt flute fome fongs foon French ftudies ftyle fubject fucceeded fuccefs fuch fugue fundry fung fuppofed Galliard Geminiani Handel harmony harpsichord himſelf houfe houſe inftrument Italian John king leffons lefs London madrigal maſter meaſure moft moſt motets mufic muſic muſicians muſt occafion opera opera band organiſt paffage Paul's Pepufch perfons performed Pfalms prefent printed profeffion publiſhed purpoſe reafon refidence refpecting reprefented royal chapel ſay ſeems ſeveral ſhe ſhort ſkill Sonatas ſtage ſtudy ſtyle ſuch theatre thefe themſelves thereof theſe thofe thoſe tion uſed verfes violin voice whofe whoſe