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on?" This life of ours is stuck round with Egypt, Greece, Gaul, England, War, Colonization, Church, Court, and Commerce, as with so many flowers and wild ornaments grave and gay. I will not make more account of them. I believe in Eternity. I can find Greece, Asia, Italy, Spain, and the Islands, the genius and creative principle of each and of all eras in my own mind.

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We are always coming up with the emphatic facts of history in our private experience, and verifying them here. All history becomes subjective; in other words, there is properly no history; only biography. Every mind must know the whole lesson for itself, must go over the whole ground. What it does not see, what it does not live, it will not know. What the former age has epitomized into a formula or rule for manipular convenience, it will lose all the good of verifying for itself, by means of the wall of that rule. Somewhere, sometime, it will demand and find compensation for that loss by doing the work itself. Ferguson discovered many things in astronomy which had long been known. The better for him.

History must be this or it is nothing. Every law which the state enacts indicates a fact in human nature; that is all. We must in ourselves see the necessary reason of every fact, see how it could and must be. So stand before

every public and

private work; before an oration of Burke, before a victory of Napoleon, before a martyrdom of Sir Thomas More, of Sidney, of Marmaduke Robinson, before a French Reign of Terror, and a Salem hanging of witches, before a fanatic Revival, and the Animal Magnetism in Paris, or in Providence. We assume that we under like influence should be alike affected, and should achieve the like; and we aim to master intellectually the steps, and reach the same height or the same degradation, that our fellow, our proxy, has done.

All inquiry into antiquity, -all curiosity respecting the Pyramids, the excavated cities, Stonehenge, the Ohio Circles, Mexico, Memphis, is the desire to do away this wild, savage, and preposterous There or Then, and introduce in its place the Here and the Now. Belzoni digs and measures in the mummy-pits and pyramids of Thebes, until he can see the end of the difference between the monstrous work and himself. When he has satisfied himself, in general and in detail, that it was made by such a person as he, so armed and so motived, and to ends to which he himself should also have worked, the problem is solved; his thought lives along the whole line of temples and sphinxes and catacombs, passes through them all with satisfaction, and they live again to the mind, or are now.

A Gothic cathedral affirms that it was done by us,

and not done by us.

Surely it was by man, but we
But we apply ourselves to

find it not in our man.
the history of its production. We put ourselves
into the place and state of the builder. We re-
member the forest-dwellers, the first temples, the
adherence to the first type, and the decoration of it
as the wealth of the nation increased; the value
which is given to wood by carving led to the carv-
ing over the whole mountain of stone of a cathedral.
When we have gone through this process, and add-
ed thereto the Catholic Church, its cross, its music,
its processions, its Saints' days and image-worship,
we have, as it were,
been the man that made the min-
ster; we have seen how it could and must be. We
have the sufficient reason.

The difference between men is in their principle of association. Some men classify objects by color and size and other accidents of appearance; others by intrinsic likeness, or by the relation of cause and effect. The progress of the intellect is to the clearer vision of causes, which neglects surface differences. To the poet, to the philosopher, to the saint, all things are friendly and sacred, all events profitable, all days holy, all men divine. For the eye is fastened on the life, and slights the circumstance. Every chemical substance, every plant, every animal in its growth, teaches the unity of cause, the variety of appearance.

Upborne and surrounded as we are by this all-creating nature, soft and fluid as a cloud or the air, why should we be such hard pedants, and magnify a few forms? Why should we make account of time, or of magnitude, or of figure? The soul knows them not, and genius, obeying its law, knows how to play with them as a young child plays with graybeards and in churches. Genius studies the causal thought, and, far back in the womb of things, sees the rays parting from one orb, that diverge ere they fall by infinite diameters. Genius watches the monad through all his masks as he performs the metempsychosis of nature. Genius detects through the fly, through the caterpillar, through the grub, through the egg, the constant individual; through countless individuals, the fixed species; through many species, the genus; through all genera, the steadfast type; through all the kingdoms of organized life, the eternal unity. Nature is a mutable cloud, which is always and never the same. She casts the same thought into troops of forms, as a poet makes twenty fables with one moral. Through the bruteness and toughness of matter, a subtle spirit bends all things to its own will. The adamant streams into soft but precise form before it, and, whilst I look at it, its outline and texture are changed again. Nothing is so fleeting as form; yet never does it quite deny itself. In man we still trace the remains or hints of all that we esteem badges of ser

vitude in the lower races; yet in him they enhance his nobleness and grace; as Io, in Æschylus, transformed to a cow, offends the imagination; but how changed, when as Isis in Egypt she meets OsirisJove, a beautiful woman, with nothing of the metamorphosis left but the lunar horns as the splendid ornament of her brows!

The identity of history is equally intrinsic, the diversity equally obvious. There is at the surface infinite variety of things; at the centre there is simplicity of cause. How many are the acts of one man in which we recognize the same character! Observe the sources of our information in respect to the Greek genius. We have the civil history of that people, as Herodotus, Thucydides, Xenophon, and Plutarch have given it; a very sufficient account of what manner of persons they were, and what they did. We have the same national mind expressed for us again in their literature, in epic and lyric poems, drama, and philosophy; a very complete form. Then we have it once more in their architecture, a beauty as of temperance itself, limited to the straight line and the square, a builded geometry. Then we have it once again in sculpture, the "tongue on the balance of expression," a multitude of forms in the utmost freedom of action, and never transgressing the ideal serenity; like votaries performing some religious dance before the gods, and, though in con

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