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'I have no system. I cannot be answerable for you. will be what you must. If there is love between us, inconceivably delicious and profitable will our intercourse be; if not, your time is lost, and you will only annoy me. I shall seem

to you stupid, and the reputation I have, false. Quite above us, beyond the will of you or me, is this secret affinity or repulsion laid. All my good is magnetic, and I educate, not by lessons, but by going about my business.'

He said, Culture; he said, Nature: and he failed not to add, 'There is also the divine.' There is no thought in any mind, but it quickly tends to convert itself into a power, and organizes a huge instrumentality of means. Plato, lover of limits, loved the illimitable, saw the enlargement and nobility which come from truth itself and good itself, and attempted, as if on the part of the human intellect, once for all, to do it adequate homage, homage fit for the immense soul to receive, and yet homage becoming the intellect to render. He said, then, ‘Our faculties run out into infinity, and return to us thence. We can define but a little way; but here is a fact which will not be skipped, and which to shut our eyes upon is suicide. All things are in a scale; and, begin where we will, ascend and ascend. All things are symbolical; and what we call results are beginnings.'

A key to the method and completeness of Plato is his twice bisected line. After he has illustrated the relation between the absolute good and true, and the forms of the intelligible world, he says: "Let there be a line cut in two unequal parts. Cut again each of these two parts, one representing the visible, the other the intelligible world, and these two new sections, representing the bright part and the dark part of these worlds, you will have, for one of the sections of the visible world, images, that is, both shadows and reflections; for the other section, the objects of these images, that is, plants, animals, and the works of art and nature. Then divide the intelligible world in like manner; the one section will be of. opinions and hypotheses, and the other section, of truths." To these four sections, the four operations of the soul correspond, conjecture, faith, understanding, reason. As every

pool reflects the image of the sun, so every thought and thing restores us an image and creature of the supreme Good. The universe is perforated by a million channels for his activity. All things mount and mount.

All his thought has this ascension; in Phædrus, teaching

that beauty is the most lovely of all things, exciting hilarity, and shedding desire and confidence through the universe, wherever it enters; and it enters, in some degree, into all things: but that there is another, which is as much more beautiful than beauty, as beauty is than chaos; namely, wisdom, which our wonderful organ of sight cannot reach unto, but which, could it be seen, would ravish us with its perfect reality. He has the same regard to it as the source of excellence in works of art. "When an artificer, in the fabrication of any work, looks to that which always subsists according to the same; and, employing a model of this kind, expresses its idea and power in his work; it must follow, that his production should be beautiful. But when he beholds that which is born and dies, it will be far from beautiful.”

Thus ever: the Banquet is a teaching in the same spirit, familiar now to all the poetry, and to all the sermons of the world, that the love of the sexes is initial; and symbolizes, at a distance, the passion of the soul for that immense lake of beauty it exists to seek. This faith in the Divinity is never out of mind, and constitutes the ground of all his dogmas. Body cannot teach wisdom; - God only. In the same mind, he constantly affirms that virtue cannot be taught; that it is not a science, but an inspiration; that the greatest goods are produced to us through mania, and are assigned to us by a divine gift.

This leads me to that central figure, which he has established in his Academy, as the organ through which every considered opinion shall be announced, and whose biography he has likewise so labored, that the historic facts are lost in the light of Plato's mind. Socrates and Plato are the double star, which the most powerful instruments will not entirely separate. Socrates, again, in his traits and genius, is the best example of that synthesis which constitutes Plato's extraordinary power. Socrates, a man of humble stem, but honest enough; of the commonest history; of a personal homeliness so remarkable, as to be a cause of wit in others, the rather that his broad good-nature and exquisite taste for a joke invited the sally, which was sure to be paid. The players personated him on the stage; the potters copied his ugly face on their stone jugs. He was a cool fellow, adding to his humor a perfect temper, and a knowledge of his man, be he who he might whom he talked with, which laid the companion open to certain defeat in any debate, and in debate he im

moderately delighted. The young men are prodigiously fond of him, and invite him to their feasts, whither he goes for conversation. He can drink, too; has the strongest head in Athens; and, after leaving the whole party under the table, goes away, as if nothing had happened, to begin new dialogues with somebody that is sober. In short, he was what our country-people call an old one.

He affected a good many citizen-like tastes, was monstrously fond of Athens, hated trees, never willingly went beyond the walls, knew the old characters, valued the bores and philistines, thought everything in Athens a little better than anything in any other place. He was plain as a Quaker in habit and speech, affected low phrases, and illustrations from cocks and quails, soup-pans and sycamore-spoons, grooms and farriers, and unnameable offices, especially if he talked with any superfine person. He had a Franklin-like wisdom. Thus, he showed one who was afraid to go on foot to Olympia, that it was no more than his daily walk within doors, if continuously extended, would easily reach.

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Plain old uncle as he was, with his great ears, mense talker, the rumor ran, that, on one or two occasions, in the war with Boeotia, he had shown a determination which had covered the retreat of a troop; and there was some story that, under cover of folly, he had, in the city government, when one day he chanced to hold a seat there, evinced a courage in opposing singly the popular voice, which had wellnigh ruined him. He is very poor; but then he is hardy as a soldier, and can live on a few olives; usually, in the strictest sense, on bread and water, except when entertained by his friends. His necessary expenses were exceedingly small, and no one else could live as he did. He wore no under garment; his upper garment was the same for summer and winter; and he went barefooted; and it is said that, to procure the pleasure, which he loves, of talking at his ease all day with the most elegant and cultivated young men, he will now and then return to his shop, and carve statues, good or bad, for sale. However that be, it is certain that he had grown to delight in nothing else than this conversation; and that, under his hypocritical pretence of knowing nothing, he attacks and brings down all the fine speakers, all the fine philosophers of Athens, whether natives, or strangers from Asia Minor and the islands. Nobody can refuse to talk with him, he is so honest, and really curious to know; a man who was willingly

confuted, if he did not speak the truth, and who willingly confuted others asserting what was false; and not less pleased when confuted than when confuting; for he thought not any evil happened to men, of such magnitude as false opinion respecting the just and unjust. A pitiless disputant, who knows nothing, but the bounds of whose conquering intelligence no man had ever reached; whose temper was imperturbable; whose dreadful logic was always leisurely and sportive; so careless and ignorant, as to disarm the wariest, and draw them, in the pleasantest manner, into horrible doubts and confusion. But he always knew the way out; knew it, yet Iwould not tell it. No escape; he drives them to terrible choices by his dilemmas, and tosses the Hippiases and Gorgiases, with their grand reputations, as a boy tosses his balls. The tyrannous realist! Meno has discoursed a thousand times, at length, on virtue, before many companies, and very well, as it appeared to him; but, at this moment, he cannot even tell what it is, this cramp-fish of a Socrates has so bewitched him.

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This hard-headed humorist, whose strange conceits, drollery, and bonhommie, diverted the young patricians, whilst the rumor of his sayings and quibbles gets abroad every day, turns out, in the sequel, to have a probity as invincible as his logic, and to be either insane, or, at least, under cover of this play, enthusiastic in his religion. When accused before the judges of subverting the popular creed, he affirms the immortality of the soul, the future reward and punishment; and, refusing to recant, in a caprice of the popular government, was condemned to die, and sent to the prison. Socrates entered the prison, and took away all ignominy from the place, which could not be a prison, whilst he was there. Crito bribed the jailer; but Socrates would not go out by treachery. "Whatever inconvenience ensue, nothing is to be preferred before justice. These things I hear like pipes and drums, whose sound makes me deaf to everything you say." The fame of this prison, the fame of the discourses there, and the drinking. of the hemlock, are one of the most precious passages in the history of the world.

The rare coincidence, in one ugly body, of the droll and the martyr, the keen street and market debater with the sweetest saint known to any history at that time, had forcibly struck the mind of Plato, so capacious of these contrasts; and the figure of Socrates, by a necessity, placed itself in the fore

ground of the scene, as the fittest dispenser of the intellectual treasures he had to communicate. It was a rare fortune, that this Esop of the mob, and this robed scholar should meet, to make each other immortal in their mutual faculty. The strange synthesis, in the character of Socrates, capped the synthesis in the mind of Plato. Moreover, by this means, he was able, in the direct way, and without envy, to avail himself of the wit and weight of Socrates, to which unquestionably his own debt was great; and these derived again their principal advantage from the perfect art of Plato.

It remains to say, that the defect of Plato in power is only that which results inevitably from his quality. He is intellectual in his aim; and, therefore, in expression, literary. Mounting into heaven, diving into the pit, expounding the laws of the state, the passion of love, the remorse of crime, the hope of the parting soul, he is literary, and never otherwise. It is almost the sole deduction from the merit of Plato, that his writings have not what is, no doubt, incident to this regnancy of intellect in his work — the vital authority which the screams of prophets and the sermons of unlettered Arabs and Jews possess. There is an interval; and to cohesion, contact

is necessary.

I know not what can be said in reply to this criticism, but that we have come to a fact in the nature of things: an oak

is not an orange. The qualities of sugar remain with sugar,

and those of salt, with salt.

In the second place, he has not a system. The dearest defenders and disciples are at fault. He attempted a theory of the universe, and his theory is not complete or self-evident. One man thinks he means this; and another, that: he has said one thing in one place, and the reverse of it in another place. He is charged with having failed to make the transition from ideas to matter. Here is the world, sound as a nut, perfect, not the smallest piece of chaos left, never a stitch nor an end, not a mark of haste, or botching, or second thought; but the theory of the world is a thing of shreds and patches.

The longest wave is quickly lost in the sea. Plato would willingly have a Platonism, a known and accurate expression for the world, and it should be, accurate. It shall be the world passed through the mind of Plato, nothing less. Every atom shall have the Platonic tinge; every atom, every relation or quality you knew before, you shall know again, and find here, but now ordered; not nature, but art. And you

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