Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 10
... transformed modes of production , intricate reciprocities with other art forms - both elite and popular- undergoing parallel processes of transformation , and a growing tension between poetics and politics . During these years , Mexico ...
... transformed modes of production , intricate reciprocities with other art forms - both elite and popular- undergoing parallel processes of transformation , and a growing tension between poetics and politics . During these years , Mexico ...
Página 99
... transformation are revealed as the pur- pose of the shots . In fact , the filmmakers ' intervention - by extension , the intervention of the intellectual sector is here seen as crucial to social transformation , and to " lucid action ...
... transformation are revealed as the pur- pose of the shots . In fact , the filmmakers ' intervention - by extension , the intervention of the intellectual sector is here seen as crucial to social transformation , and to " lucid action ...
Página 134
... transformed into the great TV Globo padrão de qualidade that since then has been central to all discussion of audio ... transformation of a radio station into a TV station in the 1950s.25 23 24 For better or for worse , since 1954 , all ...
... transformed into the great TV Globo padrão de qualidade that since then has been central to all discussion of audio ... transformation of a radio station into a TV station in the 1950s.25 23 24 For better or for worse , since 1954 , all ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 10 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor American Cinema amigo amor años Araya Argentina Aruanda aunque autor Benacerraf Benito bien Brazil Brazilian cinema Buenos Aires Buñuel cambio Cangaceiro cangaço Carlos Hugo Christensen casa caso chanchadas Christensen Cinema Novo cinematográfica comedia crítica critics Cruz cuento cultural después día diferente director documentary ejemplo el film entonces época escena espectador éste estilo Fernando film history film's filmmakers García género Glauber Rocha Grande Otelo había hecho hijo historia Hollywood hombre industry interesante jefe Jorge José Latin American Leopoldo Torre Nilsson Luis Lumiton María Mario Mario Soffici Mauro melodrama Mexican Mexico muerte mujer mundo Neo-realism nuevo obra Orson Otelo padre Paulo película period Perón personajes political popular primera production realidad relato Rio de Janeiro Roberto Romero samba Santos São Paulo Schlieper sequence shot Sinhá Moça sino social sólo studio tarde tema texto tiempo tion Tomás Tomás Eloy Martínez urban veces Venezuelan Viany vida Welles's