Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
De dentro do livro
Resultados 1-3 de 53
Página 84
... tion of these neighborhoods with the upper classes . In Buenos Aires , vida cotidiana y alienación ( 1964 ) , Juan José Sebreli argues that the high rises in Barrio Norte separated the rich from the poor by placing land values and rents ...
... tion of these neighborhoods with the upper classes . In Buenos Aires , vida cotidiana y alienación ( 1964 ) , Juan José Sebreli argues that the high rises in Barrio Norte separated the rich from the poor by placing land values and rents ...
Página 166
... tion initiated Operation Wetback ( in 1954 ) to force repatriation of undocu- mented Mexican workers . The Mexican government's response to the U.S. plea to ban the film's distribution underscored the profound cooperation , despite ...
... tion initiated Operation Wetback ( in 1954 ) to force repatriation of undocu- mented Mexican workers . The Mexican government's response to the U.S. plea to ban the film's distribution underscored the profound cooperation , despite ...
Página 227
... tion is part of a larger montage that begins by framing and reframing Petra alongside the profiled belly of a very pregant woman . By ignoring the con- text of the shot that he singles out , Roffé also ignores how the entire montage ...
... tion is part of a larger montage that begins by framing and reframing Petra alongside the profiled belly of a very pregant woman . By ignoring the con- text of the shot that he singles out , Roffé also ignores how the entire montage ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 10 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
6 outras seções não mostradas
Outras edições - Ver todos
Termos e frases comuns
actor American Cinema amigo amor años Araya Argentina Aruanda aunque autor Benacerraf Benito bien Brazil Brazilian cinema Buenos Aires Buñuel cambio Cangaceiro cangaço Carlos Hugo Christensen casa caso chanchadas Christensen Cinema Novo cinematográfica comedia crítica critics Cruz cuento cultural después día diferente director documentary ejemplo el film entonces época escena espectador éste estilo Fernando film history film's filmmakers García género Glauber Rocha Grande Otelo había hecho hijo historia Hollywood hombre industry interesante jefe Jorge José Latin American Leopoldo Torre Nilsson Luis Lumiton María Mario Mario Soffici Mauro melodrama Mexican Mexico muerte mujer mundo Neo-realism nuevo obra Orson Otelo padre Paulo película period Perón personajes political popular primera production realidad relato Rio de Janeiro Roberto Romero samba Santos São Paulo Schlieper sequence shot Sinhá Moça sino social sólo studio tarde tema texto tiempo tion Tomás Tomás Eloy Martínez urban veces Venezuelan Viany vida Welles's