Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 19
... studio - produced comedy begins by noting another kind of manifestation of middle class alienation . In concert with the intellec- tuals , the film critics , and even , in most cases , the directors themselves , this social stratum ...
... studio - produced comedy begins by noting another kind of manifestation of middle class alienation . In concert with the intellec- tuals , the film critics , and even , in most cases , the directors themselves , this social stratum ...
Página 80
From studio to location : Ayala's El Jefe There were unique challenges and opportunities facing filmmakers . The decline of the studio system and the rise of independent production com- panies allowed filmmakers to rethink ...
From studio to location : Ayala's El Jefe There were unique challenges and opportunities facing filmmakers . The decline of the studio system and the rise of independent production com- panies allowed filmmakers to rethink ...
Página 127
... studio - based filmmaking in Brazil . In Rio , other companies like Atlântida and Cinédia were also studio - based , but unlike them , Vera Cruz was modern , well- equipped , and , since it was backed by the wealthy São Paulo ...
... studio - based filmmaking in Brazil . In Rio , other companies like Atlântida and Cinédia were also studio - based , but unlike them , Vera Cruz was modern , well- equipped , and , since it was backed by the wealthy São Paulo ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 10 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor American Cinema amigo amor años Araya Argentina Aruanda aunque autor Benacerraf Benito bien Brazil Brazilian cinema Buenos Aires Buñuel cambio Cangaceiro cangaço Carlos Hugo Christensen casa caso chanchadas Christensen Cinema Novo cinematográfica comedia crítica critics Cruz cuento cultural después día diferente director documentary ejemplo el film entonces época escena espectador éste estilo Fernando film history film's filmmakers García género Glauber Rocha Grande Otelo había hecho hijo historia Hollywood hombre industry interesante jefe Jorge José Latin American Leopoldo Torre Nilsson Luis Lumiton María Mario Mario Soffici Mauro melodrama Mexican Mexico muerte mujer mundo Neo-realism nuevo obra Orson Otelo padre Paulo película period Perón personajes political popular primera production realidad relato Rio de Janeiro Roberto Romero samba Santos São Paulo Schlieper sequence shot Sinhá Moça sino social sólo studio tarde tema texto tiempo tion Tomás Tomás Eloy Martínez urban veces Venezuelan Viany vida Welles's