Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 10
... industrial model had been strongest , experienced only isolated new cinema initiatives . These included Benito ... industry - sponsored Experimen- tal Cinema Contest until 1965 . Reassessing the Legacy of Italian Neo - realism Two ...
... industrial model had been strongest , experienced only isolated new cinema initiatives . These included Benito ... industry - sponsored Experimen- tal Cinema Contest until 1965 . Reassessing the Legacy of Italian Neo - realism Two ...
Página 155
... industrial promotion . As the government of Miguel Alemán ( 1946-1952 ) pursued its private - sector- oriented agenda at ... industry more vulnerable to postwar Hollywood competition than had been the developing prewar movie sector . The ...
... industrial promotion . As the government of Miguel Alemán ( 1946-1952 ) pursued its private - sector- oriented agenda at ... industry more vulnerable to postwar Hollywood competition than had been the developing prewar movie sector . The ...
Página 156
... industrial framework , but also to ideological collaboration between both states and film industries . Working ... industry grew . Just as World War II strengthened the overall transnational and interstate links between Mexico and ...
... industrial framework , but also to ideological collaboration between both states and film industries . Working ... industry grew . Just as World War II strengthened the overall transnational and interstate links between Mexico and ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 10 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor American Cinema amigo amor años Araya Argentina Aruanda aunque autor Benacerraf Benito bien Brazil Brazilian cinema Buenos Aires Buñuel cambio Cangaceiro cangaço Carlos Hugo Christensen casa caso chanchadas Christensen Cinema Novo cinematográfica comedia crítica critics Cruz cuento cultural después día diferente director documentary ejemplo el film entonces época escena espectador éste estilo Fernando film history film's filmmakers García género Glauber Rocha Grande Otelo había hecho hijo historia Hollywood hombre industry interesante jefe Jorge José Latin American Leopoldo Torre Nilsson Luis Lumiton María Mario Mario Soffici Mauro melodrama Mexican Mexico muerte mujer mundo Neo-realism nuevo obra Orson Otelo padre Paulo película period Perón personajes political popular primera production realidad relato Rio de Janeiro Roberto Romero samba Santos São Paulo Schlieper sequence shot Sinhá Moça sino social sólo studio tarde tema texto tiempo tion Tomás Tomás Eloy Martínez urban veces Venezuelan Viany vida Welles's