Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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... example , " 1950 : el espíritu moderno , " a major retrospective exhibition of the decade's architectural and design innovations organized in Caracas by the Centro Cultural Consolidado in 1997 , and the special 1950s retrospective edi ...
... example , " 1950 : el espíritu moderno , " a major retrospective exhibition of the decade's architectural and design innovations organized in Caracas by the Centro Cultural Consolidado in 1997 , and the special 1950s retrospective edi ...
Página 116
... example , are more reminiscent of Hollywood - style " boogahboogah " music than of Brazil itself . To flash forward briefly , Sinhá Moça was adapted in 1986 as a telenovela directed by Reynaldo Boury and Jayme Monjardim , with Benedito ...
... example , are more reminiscent of Hollywood - style " boogahboogah " music than of Brazil itself . To flash forward briefly , Sinhá Moça was adapted in 1986 as a telenovela directed by Reynaldo Boury and Jayme Monjardim , with Benedito ...
Página 217
... example , that between Bolivian director Jorge Sanjinés and the members of the Andean community he filmed in Blood of the Condor ( 1969 ) . The critical practice of associating Benacerraf and Araya exclusively with European or American ...
... example , that between Bolivian director Jorge Sanjinés and the members of the Andean community he filmed in Blood of the Condor ( 1969 ) . The critical practice of associating Benacerraf and Araya exclusively with European or American ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 10 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor American Cinema amigo amor años Araya Argentina Aruanda aunque autor Benacerraf Benito bien Brazil Brazilian cinema Buenos Aires Buñuel cambio Cangaceiro cangaço Carlos Hugo Christensen casa caso chanchadas Christensen Cinema Novo cinematográfica comedia crítica critics Cruz cuento cultural después día diferente director documentary ejemplo el film entonces época escena espectador éste estilo Fernando film history film's filmmakers García género Glauber Rocha Grande Otelo había hecho hijo historia Hollywood hombre industry interesante jefe Jorge José Latin American Leopoldo Torre Nilsson Luis Lumiton María Mario Mario Soffici Mauro melodrama Mexican Mexico muerte mujer mundo Neo-realism nuevo obra Orson Otelo padre Paulo película period Perón personajes political popular primera production realidad relato Rio de Janeiro Roberto Romero samba Santos São Paulo Schlieper sequence shot Sinhá Moça sino social sólo studio tarde tema texto tiempo tion Tomás Tomás Eloy Martínez urban veces Venezuelan Viany vida Welles's