Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 87
... characters . In Simón Feldman's Los de la mesa 10 and the second episode of David Kohon's Tres veces Ana , modes of transportation mark differences between the characters ' position within the middle class itself : members of the upper ...
... characters . In Simón Feldman's Los de la mesa 10 and the second episode of David Kohon's Tres veces Ana , modes of transportation mark differences between the characters ' position within the middle class itself : members of the upper ...
Página 117
... characters , my children , wandering around the city . But I didn't manage to place a level of desired conscious- ness within them . " 30 Dos Santos especially highlights the black popular life of Rio . The characters who provide the ...
... characters , my children , wandering around the city . But I didn't manage to place a level of desired conscious- ness within them . " 30 Dos Santos especially highlights the black popular life of Rio . The characters who provide the ...
Página 243
... characters ' actions . The interplay between the characters is full of irony and double - entendre , not only in the dialogue but also in the com- position and camera angles . The intricate web of relationships between the characters ...
... characters ' actions . The interplay between the characters is full of irony and double - entendre , not only in the dialogue but also in the com- position and camera angles . The intricate web of relationships between the characters ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 10 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor American Cinema amigo amor años Araya Argentina Aruanda aunque autor Benacerraf Benito bien Brazil Brazilian cinema Buenos Aires Buñuel cambio Cangaceiro cangaço Carlos Hugo Christensen casa caso chanchadas Christensen Cinema Novo cinematográfica comedia crítica critics Cruz cuento cultural después día diferente director documentary ejemplo el film entonces época escena espectador éste estilo Fernando film history film's filmmakers García género Glauber Rocha Grande Otelo había hecho hijo historia Hollywood hombre industry interesante jefe Jorge José Latin American Leopoldo Torre Nilsson Luis Lumiton María Mario Mario Soffici Mauro melodrama Mexican Mexico muerte mujer mundo Neo-realism nuevo obra Orson Otelo padre Paulo película period Perón personajes political popular primera production realidad relato Rio de Janeiro Roberto Romero samba Santos São Paulo Schlieper sequence shot Sinhá Moça sino social sólo studio tarde tema texto tiempo tion Tomás Tomás Eloy Martínez urban veces Venezuelan Viany vida Welles's