Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 15
... begins by evoking the generic model of traditional , Holly- wood - inspired cinema , with its emphasis on ... begin at zero " as conjuncturally predes- tined to failure . Concentrating on the first of these periods - which lasted until ...
... begins by evoking the generic model of traditional , Holly- wood - inspired cinema , with its emphasis on ... begin at zero " as conjuncturally predes- tined to failure . Concentrating on the first of these periods - which lasted until ...
Página 34
... begins to seriously compete with the traditional form of film consumption . In this sense , local exhibitors ... begin and why ? I am inclined to follow the general tendency of referring to this period as a " decade " , even if I am not ...
... begins to seriously compete with the traditional form of film consumption . In this sense , local exhibitors ... begin and why ? I am inclined to follow the general tendency of referring to this period as a " decade " , even if I am not ...
Página 227
... begins by framing and reframing Petra alongside the profiled belly of a very pregant woman . By ignoring the con ... begin . " What the crane's progress reveals , however , is not the faltering beginnings of a new day's labor but a ...
... begins by framing and reframing Petra alongside the profiled belly of a very pregant woman . By ignoring the con ... begin . " What the crane's progress reveals , however , is not the faltering beginnings of a new day's labor but a ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 10 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor American Cinema amigo amor años Araya Argentina Aruanda aunque autor Benacerraf Benito bien Brazil Brazilian cinema Buenos Aires Buñuel cambio Cangaceiro cangaço Carlos Hugo Christensen casa caso chanchadas Christensen Cinema Novo cinematográfica comedia crítica critics Cruz cuento cultural después día diferente director documentary ejemplo el film entonces época escena espectador éste estilo Fernando film history film's filmmakers García género Glauber Rocha Grande Otelo había hecho hijo historia Hollywood hombre industry interesante jefe Jorge José Latin American Leopoldo Torre Nilsson Luis Lumiton María Mario Mario Soffici Mauro melodrama Mexican Mexico muerte mujer mundo Neo-realism nuevo obra Orson Otelo padre Paulo película period Perón personajes political popular primera production realidad relato Rio de Janeiro Roberto Romero samba Santos São Paulo Schlieper sequence shot Sinhá Moça sino social sólo studio tarde tema texto tiempo tion Tomás Tomás Eloy Martínez urban veces Venezuelan Viany vida Welles's