Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 101
... actor / writer / ac- tivist / plastic artist Abdias de Nascimento founded his Black Experimental Theatre in order to train black actors and fight against discrimination . Having seen a Lima , Peru performance of Eugene O'Neill's Emperor ...
... actor / writer / ac- tivist / plastic artist Abdias de Nascimento founded his Black Experimental Theatre in order to train black actors and fight against discrimination . Having seen a Lima , Peru performance of Eugene O'Neill's Emperor ...
Página 102
starring a blackfaced white actor ( Hugo d'Evieri ) as Brutus Jones . Abdias resolved to valorize actors of color : Both on a social and artistic level , the Black Experimental Theatre strives to restore , valorize , and exalt the ...
starring a blackfaced white actor ( Hugo d'Evieri ) as Brutus Jones . Abdias resolved to valorize actors of color : Both on a social and artistic level , the Black Experimental Theatre strives to restore , valorize , and exalt the ...
Página 104
... actor in the lead- ing role for a studio's first film , especially since Grande Otelo was not yet a star . The film tells the tale of a young black man from the back country of Minas Gerais , who , inspired by newspaper reports about ...
... actor in the lead- ing role for a studio's first film , especially since Grande Otelo was not yet a star . The film tells the tale of a young black man from the back country of Minas Gerais , who , inspired by newspaper reports about ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 10 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
6 outras seções não mostradas
Outras edições - Ver todos
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actor American Cinema amigo amor años Araya Argentina Aruanda aunque autor Benacerraf Benito bien Brazil Brazilian cinema Buenos Aires Buñuel cambio Cangaceiro cangaço Carlos Hugo Christensen casa caso chanchadas Christensen Cinema Novo cinematográfica comedia crítica critics Cruz cuento cultural después día diferente director documentary ejemplo el film entonces época escena espectador éste estilo Fernando film history film's filmmakers García género Glauber Rocha Grande Otelo había hecho hijo historia Hollywood hombre industry interesante jefe Jorge José Latin American Leopoldo Torre Nilsson Luis Lumiton María Mario Mario Soffici Mauro melodrama Mexican Mexico muerte mujer mundo Neo-realism nuevo obra Orson Otelo padre Paulo película period Perón personajes political popular primera production realidad relato Rio de Janeiro Roberto Romero samba Santos São Paulo Schlieper sequence shot Sinhá Moça sino social sólo studio tarde tema texto tiempo tion Tomás Tomás Eloy Martínez urban veces Venezuelan Viany vida Welles's