Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 103
Grande Otelo , Moleque Tião troupe's performances that Otelo met the Brazilian novelist Mário de Andrade , the author of the novel Macunaíma , in the adaptation of which Grande Otelo would star over forty years later . It is fascinating ...
Grande Otelo , Moleque Tião troupe's performances that Otelo met the Brazilian novelist Mário de Andrade , the author of the novel Macunaíma , in the adaptation of which Grande Otelo would star over forty years later . It is fascinating ...
Página 104
... Otelo as the star of the film and his isolation as a black person , since Otelo is virtually the only black face in sight . ( One is reminded of Sidney Poitier's raisin - in - the - rice situation in the 1950s as the only black , apart ...
... Otelo as the star of the film and his isolation as a black person , since Otelo is virtually the only black face in sight . ( One is reminded of Sidney Poitier's raisin - in - the - rice situation in the 1950s as the only black , apart ...
Página 105
... Otelo also resented the fact that he earned less than his partner , even though Otelo thought of himself as a more complete actor . And indeed Otelo did deploy a vast arsenal of postures , and faces , and gestures for comic , dramatic ...
... Otelo also resented the fact that he earned less than his partner , even though Otelo thought of himself as a more complete actor . And indeed Otelo did deploy a vast arsenal of postures , and faces , and gestures for comic , dramatic ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 10 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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