Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 107
... Hollywood / chanchada ; USA / Brazil ; epic / musical ; palace / favela ; High Culture / Popular Culture- consistently showing sympathy for the latter rather than the former term . As João Luiz Vieira points out , the film offers an ...
... Hollywood / chanchada ; USA / Brazil ; epic / musical ; palace / favela ; High Culture / Popular Culture- consistently showing sympathy for the latter rather than the former term . As João Luiz Vieira points out , the film offers an ...
Página 169
... Hollywood for the Mexican film industry , see my article " Hollywood , U.S. - Mexican Rela- tions and the Devolution of the Golden Age of Mexican Cinema , " Film Historia 4.2 ( June 1994 ) : 103-135 ; a revised version published in ...
... Hollywood for the Mexican film industry , see my article " Hollywood , U.S. - Mexican Rela- tions and the Devolution of the Golden Age of Mexican Cinema , " Film Historia 4.2 ( June 1994 ) : 103-135 ; a revised version published in ...
Página 170
... Hollywood and United States - Mexico Relations in the Golden Age of Mexican Cinema " ( Ph.D. dissertation , University of Texas at Austin , 1996 ) , pp . 354-372 . See , also , José Luis Ortiz Garza , México en Guerra : La historia ...
... Hollywood and United States - Mexico Relations in the Golden Age of Mexican Cinema " ( Ph.D. dissertation , University of Texas at Austin , 1996 ) , pp . 354-372 . See , also , José Luis Ortiz Garza , México en Guerra : La historia ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 10 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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actor American Cinema amigo amor años Araya Argentina Aruanda aunque autor Benacerraf Benito bien Brazil Brazilian cinema Buenos Aires Buñuel cambio Cangaceiro cangaço Carlos Hugo Christensen casa caso chanchadas Christensen Cinema Novo cinematográfica comedia crítica critics Cruz cuento cultural después día diferente director documentary ejemplo el film entonces época escena espectador éste estilo Fernando film history film's filmmakers García género Glauber Rocha Grande Otelo había hecho hijo historia Hollywood hombre industry interesante jefe Jorge José Latin American Leopoldo Torre Nilsson Luis Lumiton María Mario Mario Soffici Mauro melodrama Mexican Mexico muerte mujer mundo Neo-realism nuevo obra Orson Otelo padre Paulo película period Perón personajes political popular primera production realidad relato Rio de Janeiro Roberto Romero samba Santos São Paulo Schlieper sequence shot Sinhá Moça sino social sólo studio tarde tema texto tiempo tion Tomás Tomás Eloy Martínez urban veces Venezuelan Viany vida Welles's