Nuevo texto crítico, Edições 21-22Department of Spanish and Portuguese, Stanford University, 1998 |
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Página 210
... Araya as " alien to the historical and cultural process of Venezuela . " His high- ly critical essay concluded that Araya's deferred national exhibition meant that " it lost its chance to serve as point of reference for the national ...
... Araya as " alien to the historical and cultural process of Venezuela . " His high- ly critical essay concluded that Araya's deferred national exhibition meant that " it lost its chance to serve as point of reference for the national ...
Página 217
... Araya from both generalized reception and its geo - histori- cal site of production . His Brazilian footage now partially reconstructed ( as Three Men on a Raft ) and incorporated into a documentary , It's All True : Based on an ...
... Araya from both generalized reception and its geo - histori- cal site of production . His Brazilian footage now partially reconstructed ( as Three Men on a Raft ) and incorporated into a documentary , It's All True : Based on an ...
Página 222
... Araya " a great work " and expressed confidence that " sooner or later " the film - loving public would come to share his opinion . For Marcel Martin , Araya was " the first authentically Venezuelan film " and as such " deserves to ...
... Araya " a great work " and expressed confidence that " sooner or later " the film - loving public would come to share his opinion . For Marcel Martin , Araya was " the first authentically Venezuelan film " and as such " deserves to ...
Conteúdo
EneroDiciembre 1998 Número 2122 | 10 |
THE BIG PICTURE | 14 |
Cityscapes and Alienation Buenos Aires | 77 |
Direitos autorais | |
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Termos e frases comuns
actor American Cinema amigo amor años Araya Argentina Aruanda aunque autor Benacerraf Benito bien Brazil Brazilian cinema Buenos Aires Buñuel cambio Cangaceiro cangaço Carlos Hugo Christensen casa caso chanchadas Christensen Cinema Novo cinematográfica comedia crítica critics Cruz cuento cultural después día diferente director documentary ejemplo el film entonces época escena espectador éste estilo Fernando film history film's filmmakers García género Glauber Rocha Grande Otelo había hecho hijo historia Hollywood hombre industry interesante jefe Jorge José Latin American Leopoldo Torre Nilsson Luis Lumiton María Mario Mario Soffici Mauro melodrama Mexican Mexico muerte mujer mundo Neo-realism nuevo obra Orson Otelo padre Paulo película period Perón personajes political popular primera production realidad relato Rio de Janeiro Roberto Romero samba Santos São Paulo Schlieper sequence shot Sinhá Moça sino social sólo studio tarde tema texto tiempo tion Tomás Tomás Eloy Martínez urban veces Venezuelan Viany vida Welles's