the love, which, Dante says, Casella sang among the angels in Paradise; and which, as rightly celebrated, in its genesis, fruition, and effect, might well entrance the souls, as it would lay open the genesis of all institutions, customs, and manners. The book had been grand, if the Hebraism had been omitted, and the law stated without Gothicism, as ethics, and with that scope for ascension of state which the nature of things requires.

It is a fine platonic development of the science of marriage; teaching that sex is universal, and not local; virility in the male qualifying every organ, act, and thought; and the feminine in woman. Therefore, in the real or spiritual world, the nuptial union is not momentary, but incessant and total; and chastity not a local, but a universal virtue; unchastity being discovered as much in the trading, or planting, or speaking, or philosophizing, as in generation; and that, though the virgins he saw in heaven were beautiful, the wives were incomparably more beautiful, and went on increasing in beauty evermore.

Yet Swedenborg, after his mode, pinned his theory to a temporary form. He exaggerates the circumstance of marriage; and, though he finds false marriages on earth, fancies a wiser choice in heaven. But of progressive souls, all loves and friendships are momentary. Do you love me? means, Do you see the same truth? If you do, we are happy with the same happiness: but presently one of us passes into the perception of new truth; we are divorced, and no tension in nature can hold us to each other. I know how delicious is this cup of love, I existing for you, you existing for me; but it is a child's clinging to his toy; an attempt to eternize the fireside and nuptial chamber; to keep the picture-alphabet through which our first lessons are prettily conveyed. The Eden of God is bare and grand: like the out-door landscape, remembered from the evening fireside, it seems cold and desolate, whilst you cower over the coals; but, once abroad again, we pity those who can forego the magnificence of nature, for candle-light and cards. Perhaps the true subject of the "Conjugal Love" is Conversation, whose laws are profoundly eliminated. It is false, if literally applied to marriage. For God is the bride or bridegroom of the soul. Heaven is not the pairing of two, but the communion of all souls. We meet, and dwell an instant under the temple of one thought, and part as though we parted not, to join another thought in other fellowships of joy. So far from there being anything divine in the low and proprietary sense of Do you love me? it is

only when you leave and lose me, by casting yourself on a sentiment which is higher than both of us, that I draw near, and find myself at your side; and I am repelled, if you fix your eye on me, and demand love. In fact, in the spiritual world, we change sexes every moment. You love the worth in me; then I am your husband: but it is not me, but the worth, that fixes the love; and that worth is a drop of the ocean of worth that is beyond me. Meantime, I adore the greater worth in another, and so become his wife. He aspires to a higher worth in another spirit, and is wife or receiver of that influence.

Whether a self-inquisitorial habit, that he grew into, from jealousy of the sins to which men of thought are liable, he has acquired, in disentangling and demonstrating that particular form of moral disease, an acumen which no conscience can resist. I refer to his feeling of the profanation of thinking to what is good "from scientifics." "To reason about faith, is to doubt and deny." He was painfully alive to the difference between knowing and doing, and this sensibility is incessantly expressed. Philosophers are, therefore, vipers, cockatrices, asps, hemorrhoids, presters, and flying serpents; literary men are conjurers and charlatans.

But this topic suggests a sad afterthought, that here we find the seat of his own pain. Possibly Swedenborg paid the penalty of introverted faculties. Success, or a fortunate genins, seems to depend on a happy adjustment of heart and brain; on a due proportion, hard to hit, of moral and mental power, which, perhaps, obeys the law of those chemical ratios which make a proportion in volumes necessary to combination, as when gases will combine in certain fixed rates, but not at any rate. It is hard to carry a full cup: and this man, profusely endowed in heart and mind, early fell into dangerous discord with himself. In his Animal Kingdom, he surprised us, by declaring that he loved analysis, and not synthesis; and now, after his fiftieth year, he falls into jealousy of his intellect; and, though aware that truth is not solitary, nor is goodness solitary, but both must ever mix and marry, he makes war on his mind, takes the part of the conscience against it, and, on all occasions, traduces and blasphemes it. The violence is instantly avenged. Beauty is disgraced, love is unlovely, when truth, the half part of heaven, is denied, as much as when a bitterness in men of talent leads to satire, and destroys

the judgment. He is wise, but wise in his own despite. There is an air of infinite grief, and the sound of wailing, all over and through this lurid universe. A vampire sits in the seat of the prophet, and turns with gloomy appetite to the images of pain. Indeed, a bird does not more readily weave its nest, or a mole bore into the ground, than this seer of souls substructs a new hell and pit, each more abominable than the last, round every new crew of offenders. He was let down through a column that seemed of brass, but it was formed of angelic spirits, that he might descend safely amongst the unhappy, and witness the vastation of souls; and heard there, for a long continuance, their lamentations; he saw their tormentors, who increase and strain pangs to infinity; he saw the hell of jugglers, the hell of assassins, the hell of the lascivious; the hell of robbers, who kill and boil men; the infernal tun of the deceitful; the excrementitious hells; the hell of the revengeful, whose faces resembled a round, broad cake, and their arms rotate like a wheel. Except Rabelais and Dean Swift, nobody ever had such science of filth and corruption.

These books should be used with caution. It is dangerous to sculpture these evanescing images of thought. True in transition, they become false if fixed. It requires, for his just apprehension, almost a genius equal to his own. But when his visions become the stereotyped language of multitudes of persons, of all degrees of age and capacity, they are perverted. The wise people of the Greek race were accustomed to lead the most intelligent and virtuous young men, as part of their education, through the Eleusinian mysteries, wherein, with much pomp and graduation, the highest truths known to ancient wisdom were taught. An ardent and contemplative young man, at eighteen or twenty years, might read once these books of Swedenborg, these mysteries of love and conscience, and then throw them aside forever. Genius is ever haunted by similar dreams, when the hells and the heavens are opened to it. But these pictures are to be held as mystical, that is, as a quite arbitrary and accidental picture of the truth, as the truth. Any other symbol would be as good then this is safely seen.

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Swedenborg's system of the world wants central spontaneity; it is dynamic, not vital, and lacks power to generate life. There is no individual in it. The universe is a gigantic crystal, all whose atoms and lamina lie in uninterrupted order,

and with unbroken unity, but cold and still. What seems an individual and a will, is none. There is an immense chain of intermediation, extending from centre to extremes, which bereaves every agency of all freedom and character. The universe, in his poem, suffers under a magnetic sleep, and only reflects the mind of the magnetizer. Every thought comes into each mind by influence from a society of spirits that surround it, and into these from a higher society, and so on. All his types mean the same few things. All his figures speak one speech. All his interlocutors Swedenborgize. Be they who they may, to this complexion must they come at last. This Charon ferries them all over in his boat; kings, counsellors, cavaliers, doctors, Sir Isaac Newton, Sir Hans Sloane, King George II., Mahomet, or whosoever, and all gather one grimness of hue and style. Only when Cicero comes by, our gentle seer sticks a little at saying he talked with Cicero, and, with a touch of human relenting, remarks, 66 one whom it was given me to believe was Cicero"; and when the soi disant Roman opens his mouth, Rome and eloquence have ebbed away, -it is plain theologic Swedenborg, like the rest. His heavens and hells are dull; fault of want of individualism. The thousand-fold relation of men is not there. The interest that attaches in nature to each man, because he is right by his wrong, and wrong by his right, because he defies all dogmatizing and classification, so many allowances, and contingencies, and futurities, are to be taken into account, strong by his vices, often paralyzed by his virtues, sinks into entire sympathy with his society. This want reacts to the centre of the system. Though the agency of "the Lord" is in every line referred to by name, it never becomes alive. There is no lustre in that eye which gazes from the centre, and which should vivify the immense dependency of beings.

The vice of Swedenborg's mind is its theologic determination. Nothing with him has the liberality of universal wisdom, but we are always in a church. That Hebrew muse,

which taught the lore of right and wrong to men, had the same excess of influence for him, it has had for the nations. The mode, as well as the essence, was sacred. Palestine is ever the more valuable as a chapter in universal history, and ever the less an available element in education. The genius of Swedenborg, largest of all modern souls in this department of thought, wasted itself in the endeavor to reanimate and conserve what had already arrived at its natural term, and, in

the great secular Providence, was retiring from its prominence, before western modes of thought and expression. Swedenborg and Behmen both failed by attaching themselves to the Christian symbol, instead of to the moral sentiment, which carries innumerable christianities, humanities, divinities, in its bosom.

The excess of influence shows itself in the incongruous importation of a foreign rhetoric. 'What have I to do,' asks the impatient reader, 'with jasper and sardonyx, beryl and chalcedony; what with arks and passovers, ephahs and ephods; what with lepers and emerods: what with heave-offerings and unleavened bread; chariots of fire, dragons crowned and horned, behemoth and unicorn? Good for Orientals, these are nothing to me. The more learning you bring to explain them, the more glaring the impertinence. The more coherent and elaborate the system, the less I like it. I say, with the Spartan, "Why do you speak so much to the purpose, of that which is nothing to the purpose?" My learning is such as God gave me in my birth and habit, in the delight and study of my eyes, and not of another man's. Of all absurdities, this of

some foreigner, proposing to take away my rhetoric, and substitute his own, and amuse me with pelican and stork, instead of thrush and robin; palm trees and shittim-wood, instead of sassafras and hickory, - seems the most needless.'

Locke said, "God, when he makes the prophet, does not unmake the man." Swedenborg's history points the remark. The parish disputes, in the Swedish church, between the friends and foes of Luther and Melancthon, concerning "faith alone," and "works alone," intrude themselves into his speculations upon the economy of the universe, and of the celestial societies. The Lutheran bishop's son, for whom the heavens are opened, so that he sees with eyes, and in the richest symbolic forms, the awful truth of things, and utters again, in his books, as under a heavenly mandate, the indisputable secrets of moral nature, with all these grandeurs resting upon him, remains the Lutheran bishop's son; his judgments are those of a Swedish polemic, and his vast enlargements are purchased by adamantine limitations. He carries his controversial memory with him in his visits to the souls. He is like Michel Angelo, who, in his frescos, put the cardinal who had offended him to roast under a mountain of devils; or, like Dante, who avenged, in vindictive melodies, all his private wrongs; or, perhaps still more like Montaigne's parish priest, who, if a hail-storm passes over the village, thinks the day of doom is