- He left France smaller, poorer, feebler, than he found it; and the whole contest for freedom was to be begun again. The attempt was, in principle, suicidal. France served him with life, and limb, and estate, as long as it could identify its interest with him; but when men saw that after victory was another war; after the destruction of armies, new conscriptions; and they who had toiled so desperately were never nearer to the reward, they could not spend what they had earned, nor repose on their down-beds, nor strut in their chateaux, – they deserted him. Men found that his absorbing egotism was deadly to all other men. It resembled the torpedo, which inflicts a succession of shocks on any one who takes hold of it, producing spasms which contract the muscles of the hand, so that the man cannot open his fingers; and the animal inflicts new and more violent shocks, until he paralyzes and kills his victim. So, this exorbitant egotist narrowed, impoverished, and absorbed the power and existence of those who served him; and the universal cry of France, and of Europe, in 1814, was, 66 enough of him": assez de Bonaparte." It was not Bonaparte's fault. He did all that in him lay, to live and thrive without moral principle. It was the nature of things, the eternal law of the man and the world, which balked and ruined him; and the result, in a million experiments would be the same. Every experiment, by multitudes or by individuals, that has a sensual and selfish aim, will fail. The pacific Fourier will be as inefficient as the pernicious Napoleon. As long as our civilization is essentially one of property, of fences, of exclusiveness, it will be mocked by delusions. Our riches will leave us sick; there will be bitterness in our laughter; and our wine will burn our mouth. Only that good profits, which we can taste with all doors open, and which serves all men. 66 GOETHE; OR, THE WRITER. I FIND a provision, in the constitution of the world, for the writer or secretary, who is to report the doings of the miraculous spirit of life that everywhere throbs and works. His office is a reception of the facts into the mind, and then a selection of the eminent and characteristic experiences. Nature will be reported. All things are engaged in writing their history. The planet, the pebble, goes attended by its shadow. The rolling rock leaves its scratches on the mountain; the river, its channel in the soil; the animal, its bones in the stratum; the fern and leaf, their modest epitaph in the coal. The falling drop makes its sculpture in the sand or the stone. Not a foot steps into the snow, or along the ground, but prints, in characters more or less lasting, a map of its march. Every act of the man inscribes itself in the memories of his fellows, and in his own manners and face. The air is full of sounds; the sky, of tokens; the ground is all memoranda and signatures; and every object covered over with hints, which speak to the intelligent. In nature, this self-registration is incessant, and the narrative is the print of the seal. It neither exceeds nor comes short of the fact. But nature strives upward; and, in man, the report is something more than print of the seal. It is a new and finer form of the original. The record is alive, as that which it recorded is alive. In man, the memory is a kind of looking-glass, which, having received the images of surrounding objects, is touched with life, and disposes them in a new order. The facts which transpired do not lie in it inert; but some subside, and others shine; so that soon we have a new picture, composed of the eminent experiences. The man co-operates. He loves to communicate; and that which is for him to say lies as a load on his heart until it is delivered. But, besides the universal joy of conversation, some men are born with exalted powers for this second creation. Men are born to write. The gardener saves every slip, and seed, and peach-stone: his vocation is to be a planter of plants. Not less does the writer attend his affair. Whatever he beholds or experiences, comes to him as a model, and sits for its picture. He counts it all nonsense that they say, that some things are undescribable. He believes that all that can be thought can be written, first or last; and he would report the Holy Ghost, or attempt it. Nothing so broad, so subtle, or so dear, but comes therefore commended to his pen, and he will write. In his eyes, a man is the faculty of reporting, and the universe is the possibility of being reported. In conversation, in calamity, he finds new materials; as our German poet said, "Some God gave me the power to paint what I suffer." He draws his rents from rage and pain. By acting rashly, he buys the power of talking wisely. Vexations, and a tempest of passion, only fill his sail; as the good Luther writes, "When I am angry, I can pray well, and preach well": and if we knew the genesis of fine strokes of eloquence, they might recall the complaisance of Sultan Amurath, who struck off some Persian heads, that his physician, Vesalius, might see the spasms in the muscles of the neck. His failures are the preparation of his victories. A new thought, or a crisis of passion, apprises him that all that he has yet learned and written is exoteric, is not the fact, but some rumor of the fact. What then? Does he throw away the pen? No; he begins again to describe in the new light which has shined on him, if, by some means, he may yet save some true word. Nature conspires. Whatever can be thought can be spoken, and still rises for utterance, though to rude and stammering organs. If they cannot compass it, it waits and works, until, at last, it moulds them to its perfect will, and is articulated. This striving after imitative expression, which one meets everywhere, is significant of the aim of nature, but is mere stenography. There are higher degrees, and Nature has more splendid endowments for those whom she elects to a superior office; for the class of scholars or writers, who see connection where the multitude see fragments, and who are impelled to exhibit the facts in ideal order, and so to supply the axis on which the frame of things turns. Nature has dearly at heart the formation of the speculative man, or scholar. It is an end never lost sight of, and is prepared in the original casting of |