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" He who hath bent him o'er the dead Ere the first day of death is fled, The first dark day of nothingness, The last of danger and distress... "
The Port Folio - Seite 653
1813
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The Gentleman's Magazine, and Historical Chronicle, for the ..., Band 91,Teil 1

1821
...by the waiul of an enchanter, rather than reared by human hands. Myst. of Udol. v. Í. p. 34. Byron. He who hath bent him o'er the dead, Ere the first day of death is fled, ite. See the rest of this beautiful passage, »s far as Such is the aspect of this shore, Tis Greece,...
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The British review and London critical journal

1813
...beauty, but which is an instance of the extended simile in which this poet so delights to indulge. " He who hath bent him o'er the dead, Ere the first day of'-death is fled ; The first dark day of nothingness, The last, of danger and distress ; (Before Decay's...
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The Edinburgh Review: Or Critical Journal, Band 21

1812
...and more exquisitely finished, than any that we can now recollect in the whole compass of poetry. ' He who hath bent him o'er the dead, Ere the first...danger and distress ; ( Before Decay's effacing fingers I lave swept the lines where beauty lingers,) And mark'd the mild angelic air—- The rapture of repose...
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Quarterly Review, Bände 9-10

1813
...on an eastern audience, and of the grotesque declamation and gestures of the Turkish story-teller. ' He who hath bent him o'er the dead, Ere the first...angelic air— The rapture of repose that's there— The fixed yet tender traits that streak The languor of the placid cheek, And—but for that sad shrouded...
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The Analectic Magazine: Comprising Original Reviews, Biography, Analytical ...

1813
...and more exquisitely finished, than any that we can now recollect in the whole compass of poetry. " He who hath bent him o'er the dead, Ere, the first...air — The rapture of repose that's there — The fixed yet tender traits that streak The languor of the placid cheek, And — but for that sad shrouded...
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The Eclectic review. vol. 1-New [8th], Band 10

1813
...shore, Rush the night-prowlers on the prey, And turn to groans his roundelay.! i>. 3. V<», X. Tt ' He who hath bent him o'er the dead, Ere the first...swept the lines where beauty lingers, ) And mark'd the mild.angelic air — The rapture of repose .that's there — The fixed yet tender traits that streak...
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The British Review, and London Critical Journal

1813
...beauty, but which is an instance of the extended simile in which this poet so delights to indulge. " He who hath bent him o'er the dead, Ere the first...fingers Have swept the lines where beauty lingers) And marked the mild angelic air — The rapture of repose that's there — The fixed yet tender traits...
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The Quarterly Review, Band 10

1813
...delight; and we cannot refrain from quoting the following highly wrought and characteristic specimen. ' He who hath bent him o'er the dead, Ere the first...of danger and distress ; (Before Decay's effacing fmgers Have swept the lines where beauty lingers,) And mark'd the mild angelic air — The rapture...
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The giaour, a fragment of a Turkish tale

George Gordon N. Byron (6th baron.) - 1813
...inheritors of hell — 65 So soft the scene, so form'd for joy, So curst the tyrants, that destroy ! He who hath bent him o'er the dead, Ere the first...death is fled ; The first dark day of nothingness, 10 The last of danger and distress ; (Before Decay's effacing fingers Have swept the lines where beauty...
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The Analectic Magazine, to which is Added, an Appendix of Official ..., Band 2

1813
...now recollect in the whole compass of poetry. " He who hath bent him o'er the dead, Ere the first dav of death is fled: The first dark day of nothingness, The last of dangeY and distress; (Before Decay's effacing fingers Have swept tlie lines where beauty lingers;)...
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